United States or New Caledonia ? Vote for the TOP Country of the Week !
The scent of fresh cut flowers floated upon the continual presence of the incense; a lily outlined its head against the tall carved altarpiece the Brothers had brought from Damascus.
The greatest name associated with the period is that of the brothers Jan and Hubert Van Eyck, and the work which naturally comes to the mind, when thinking of them, is the monumental altarpiece which they painted for Jos. Vyt, lord of Pamele, to be placed in his chapel in the Cathedral of St. John in Ghent.
The church of Guibray is chiefly Norman it is very white inside and there is some round-headed arcading in the aisles. The clustered columns of the nave have simple, pointed arches, and there is a carved marble altarpiece showing angels supporting the Virgin who is gazing upwards.
Passing out of the SS. Annunziata into S. Maria degli Innocenti, we come to a beautiful picture by Domenico Ghirlandajo in the great altarpiece, the Adoration of the Magi, painted in 1488. Though scarcely so lovely as the Adoration of the Shepherds in the Accademia, perhaps spoiled a little by over cleaning and restoration, it is one of the most simple and serene pictures in Florence.
In Pound Street is an auxiliary church that in 1884 was converted out of a stable into the present beautiful and uncommon little building. Of particular merit are the fine tapestries and the altarpiece of Venetian mosaics. In Church Street stands an old house once belonging to the Tuckers, merchants and benefactors of the town.
He stands by the side of a little stream, in a landscape that combines in the true Crivelli manner direct realism with decorative formality. The St. Dominic with book and lily in type resembles the figure in the Metropolitan, but the face is painted with greater skill and has more vigor of expression. Above this lower stage of the altarpiece are four half-length figures of St. Francis, St.
Andrea Orcagna was born about 1308. He was a man of almost universal genius, but his altarpiece in S. Maria Novella is nearly all that remains to us of his painting, and splendid though it be, has been perhaps spoiled by a later hand than his. In the Accademia here there is a Vision of St. Bernard (No. 138), faint, it is true, but still soft and charming in colour, while in the Uffizi there is in the corridor an altarpiece with St. Matthew in the midst that is certainly partially his own. Nothing at all remains to us of the work of Starnina, the master of Masolino, and thus we lose the link which should connect the art of Giotto and the Giottesques with the art of Masolino and Angelico. It was about the same time as Starnina was painting in the chapel of S. Girolamo at the Carmine that Lorenzo Monaco was working in the manner of Agnolo Gaddi. His work is beautiful by reason of its delicacy and gentleness, but it is so completely in the old manner that Vasari gives his altarpiece of the Annunciation now here in the Accademia (No. 143) to Giotto, praising that master for the tremulous sweetness of Madonna as she shrinks before the Announcing Angel just about to alight from heaven. It is a very different scene you come upon in his altarpiece in S. Trinit
This predella was highly lauded by Vasari; still more highly another picture which used to form an altarpiece in Fiesole, and which now obtains world-wide celebrity in the Louvre the "Coronation of the Virgin," with eight predella subjects of the miracles of St. Dominic.
These ancient lighthouses appear to have consisted of a tower of masonry of large dimensions; circular or square in form; containing numerous apartments and a battlemented top, within which was raised a kind of altarpiece covered with a plate of brass.
I glanced through it, towards the small altar at the upper end. The place was empty save of one figure; and she was kneeling here in front of the beautiful altarpiece by Bellini. Beautiful though it was she seemed not to see it. She was weeping and praying as though her heart was broken. She was my sister Caroline. I beckoned to Charles, and he came to my side, and looked through the door with me.
Word Of The Day