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Updated: April 30, 2025
Yet these remains of the imperial pontifices, mighty and interesting as they are, sink into comparative insignificance beside the one great wonder of Rimini, the cathedral remodelled for Sigismondo Pandolfo Malatesta by Leo Battista Alberti in 1450.
Among those who attended them were the Selvas, Signora Selva's sister, a few priests, the Venetian lady who had just left, some young men among these he might mention a certain Alberti, a favourite with the Master, who this evening had come and gone with him, and a Jew, whose name was Viterbo, and who was soon to become a Catholic; of him the Master expected great things.
At Cape York, in North Australia, there is a closely allied species, Ptiloris alberti, the female of which is very similar to the young male bird here described.
Sigismondo Pandolfo Malatesta killed three wives in succession, violated his daughter, and attempted the chastity of his own son. So much of him belongs to the mere savage. He caused the magnificent church of S. Francesco at Rimini to be raised by Leo Alberti in a manner more worthy of a Pagan Pantheon than of a Christian temple.
We know that a great quantity of marble of different kinds was gathered by Sigismondo from all parts of Italy, not only to furnish the interior of his Tempio, but to cover the exterior also according to the design of Leon Alberti. Even the sepulchral stones from the old Franciscan convent of S. Francesco in Rimini were used and the blocks which the people of Fano had collected for their church.
On the same day, a certain Michele Alberti wrote as follows: "Messer Jacopo, your gossip, has told me that your lordship wished to know in what condition are the heads of the late lamented Michelangelo. I inform you that they are cast, and will be chased within the space of a month, or rather more.
After the first period of youth was over, Leo Battista Alberti devoted his great faculties and all his wealth of genius to the study of the law then, as now, the quicksand of the noblest natures. The industry with which he applied himself to the civil and ecclesiastical codes broke his health.
He began a panel for S. Gallo, afterwards finished by Giuliano Bugiardini, which is now on the high-altar of S. Jacopo fra Fossi, on the Canto degli Alberti; and likewise a picture of the Rape of Dinah, now in the possession of Messer Cristofano Rinieri, and afterwards coloured by the same Giuliano, in which are buildings and conceptions that are much extolled.
This gentleman, who, in addition to his other truly noble qualities, delighted in the study of architecture, the knowledge of which is worthy of no matter how great a Prince, had therefore read the works of Vitruvius, Leon Batista Alberti, and others who have written on this subject, and he wished to put what he had learned into practice.
Leo Battista Alberti was a member of his philosophical society. The only great Florentine artist who did not stand in cordial relations to the Medicean circle, was Lionardo da Vinci.
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