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Updated: May 20, 2025
It is easy to carry in mind the proportions expressed by 1, 1-1/3 and 1-3/4. If there were no other considerations, such as convenience in handling, evenness of distribution, etc., to take into account, one ton of fresh burned lime, one and a third tons hydrated and one and three-quarters tons finely pulverized limestone would have the same value when delivered in the field.
Did you ever know Shackles b. w. g., 15. 1-3/8 coarse, loose, mule-like ears barrel as long as a gatepost tough as a telegraph-wire and the queerest brute that ever looked through a bridle? He was of no brand, being one of an ear-nicked mob taken into the Bucephalus at L4:10s., a head to make up freight, and sold raw and out of condition at Calcutta for Rs.275.
For I find, by considering the Scripture, that as the persons and things pertaining to the worship of God were to go according to the rule of this golden reed, so also the portions that pertained to the persons worshipping were to go by rule and measure also, as here he saith he measured also the city, or to it, with the reed, twelve thousand furlongs. See Joshua 15-16; John 14:1-3.
A. Some are as large as 4 inches diameter, giving 12 square inches of area; and others are as small as 1-3/16 inch diameter, giving 1 square inch of area. Q. And are these valves all pressed down by a Salter's spring balance?
Ah, when God makes the bed, he must needs lie easy whom weakness hath cast thereon: a blessed pillow hath. that man for his head, though to all beholders it is hard as a stone. Psa. 41:1-3. It is as ordinary as for the light to shine, for God to make back and dismal dispensations usher in bright and pleasing.
Brislington, a rapidly growing suburb of Bristol, 1-3/4 m. S.E. of the city, with a station on the Frome branch. The church has a tower which is characteristic of a considerable class of Somerset towers. The S. aisle has a waggon-roof, and there is a piscina in the S. chapel. The square font is presumably Norm. Brislington Hill House is a 17th-cent. brick mansion. Broadway, 2-1/2 m.
The apostle must mean the same powers here he describes in Rom. xiii, 1-3, &c., otherwise he contradicts himself, which must not be admitted; and the powers he there speaks of, are moral powers, i.e., such as have not only proper abilities for government and rule, but also a right of constitution, impowering them to use their abilities for that purpose.
Others, such as Gen. xii. 1-3, Deut. ix. 12-14, Job iv. 16-v. 5, Ps. xxxvii. 35-38, l. 16-23, have only slight variations. There are only two passages of more than three consecutive verses in length that present wide divergences. This is perhaps what we should expect: in longer quotations it would be better worth the writer's while to refer to his cumbrous manuscript.
And herein he sheweth wonderful wisdom. For, By this he thrusts himself under the shelter and blessing of the promise; and I am sure it is better and safer to do so, than to rely upon the best of excellencies that this world can afford: Hos. xiv. 1-3.
It is the motive of The Fountain. I quote it in the completer and more beautiful form in which it appears on page 57, measures 1-3. There is an interlude in which the Golaud, Mélisande, and Fate themes are heard. The rhythm of the latter theme mutters ominously in the bass as the second scene is disclosed.
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