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Updated: June 14, 2025
The big scene at the end of the picture the throne room of the French king was as carefully made as the other parts of the picture had been. And because of Ruth's coaching Wonota did her part so well that Mr. Hooley was enthusiastic and to raise enthusiasm in the bosom of a case-hardened director is no small matter. "The Boss is rather sore on the whole business," Hooley said to Ruth.
It looked like a great Gypsy camp when the party was settled on the sward beside the mountain stream. Mr. Hooley had not seen the location before, and he was somewhat critical of some points. But finally he admitted that, unless the place had been built for their need, they could not really expect to find a location better fitted. "And thank goodness!"
Hooley may never again be able to get it so good." Ruth and Helen had told him about the old crazy man a hermit, perhaps and Mr. Hammond had given instructions that before the retaking of the scene was tried the island should be searched for the King of the Pipes. "Whoever, or whatever, he is," the producer said, "he's got to be looked after while we are making this picture.
He was "imaginative, erratic, inconsistent, recklessly inexact," and his imagination led him by way of a patent medicine to company promoting on the Hooley scale.
The girl of the Red Mill was half crouched, striving to push back against the thrust of the stick in Dakota Joe's hands. The upper part of Fenbrook's body was plainly visible from Wonota's station at the foot of the cliff, and his wicked face could be mistaken for no other. "Now! The gun!" shouted Mr. Hooley. "Wonota! Come alive!" The Indian girl obeyed as far as springing into action went.
He swerved the megaphone to the men waiting on the bank: "Look out for Miss Fielding, some of you fellows. The rest of you stand ready to grab Wonota when that canoe goes over." Again to the Indian girl: "Now, Wonota! Pitch the paddle away. Lean over grab at his head. There it is!" The Indian girl did as instructed, leaning so far that the canoe tipped. Mr. Hooley raised his hand.
Grand's foibles so well, she might the better show interest in him. Goodness knows he's handsome enough." "Better than that, he can act," said Ruth thoughtfully. "Not many of these handsome screen heroes can do that. "Is there much more for her to do?" Helen asked, with renewed interest. "Several scenes and some of them most important. Mr. Hooley can not give all his time to her.
Hooley sent Ruth to the top of the rock to watch and advise Onehorse as the scene proceeded. She was quite able by this time to act as assistant director. Indeed, it was Ruth's ambition to direct a picture of her own in the near future. She sometimes had ideas that conflicted with those of Mr. Hammond and his directors, and she wished to try her own way to get certain results.
"This will delight Jim Hooley, I am sure. We can stake out a net down here under that rock so if either or both the boys fall, they will land all right. It will be some stunt picture, and no mistake!" He wanted to look around the place, however, before riding back, and the girls dismounted too. The bottom of the canyon was a smooth lawn the grass still green.
Jim Hooley had chosen the few acting in the Eastern scenes with Wonota, including the hero, whom, to tell the truth, the Indian girl considered a rather wonderful person because she saw him in a dress suit" "Yes, it is true! No Indian could look so heroic a figure," she whispered to Ruth. "He looks like like a nobleman.
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