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In defense of this outrageously abused man, a young author of twenty-four years, just one year out of college, came forth with his pen, and wrote the ablest and most famous essays on art that the world ever saw, or ever will see John Ruskin's "Modern Painters."
Liddell, afterwards Dean of Christ Church; Newton, afterwards Sir Charles, of the British Museum; Acland, afterwards Sir Henry, the Professor of Medicine, thus became John Ruskin's friends: the first disputing with him on the burning question of Raphael's art, but from the outset an admirer of "Modern Painters," and always an advocate of its author; the second differing from him on the claims of Greek archæology, but nevertheless a close acquaintance through many long years; and the third for half a century the best of friends and counsellors.
Ruskin's 'Stones of Venice, from whence it is equal chances whether your thoughts radiate, on one side of the compass, to stone china, or Stoney Stratford, or Stonewall Jackson, or, on the other, to the 'Venetian Bracelet, L. E. L. and Fernando Po, or to that effective adaptation of the Venetian style of architecture, the Railway Station at St.
He seems to have been more at home with the father than with the son; but even when the young man took to writing books about him, he did not, as Carlyle is reported to have done in a parallel case, show his exponent to the door. The occasion of John Ruskin's coming to town this time was not a pleasant one nothing less than the complete breakdown of his health.
John Ruskin's continued to be the smoothest, easiest style in our English literature. He also was a Hebraic spirit, but of the gentler type. Mr. Chapman calls him the Elisha to Carlyle's, Elijah, a capital comparison. Ruskin is one of the few writers who have told us what formed their style. In the first chapter of Praeterita he pays tribute to his mother.
I would also recommend the burghers some vegetables, so desirable for their sedentary habits, but there again! it seems to be a peculiarity of the local soil to produce hardly a leaf of salad or cabbage. Potatoes are plainly regarded as an exotic they are the size of English peas, and make me think of Ruskin's letter to those old ladies describing the asparagus somewhere in Tuscany.
His amazing attractiveness, his talk, which combined incisiveness and fancy and humour and fire and gentleness, made him a marked figure from the first. Moreover, he had the command of great wealth, yet no temptation to be idle. The tale of Ruskin's industry for the next fifty years is one that would be incredible if it were not true.
We know that the men who built were earnest. The carefulness, the reverence, of their work have given a subject for some of Mr. Ruskin's noblest chapters, a text for some of his noblest sermons. We know that they were students of vegetable form. That is proved by the flowers, the leaves, even the birds, with which they enwreathed their capitals and enriched their mouldings. Look up there, and see.
Half a dozen houses in Marylebone left by Ruskin's father, to which he added three more in Paradise Place, as it was euphemistically named, were the subjects of their experiment. They were ridiculed at first; but by the noblest endeavour they succeeded, and set an example which has been followed in many of our towns with great results.
Though but twelve years old, she sought to enliven the melancholy student, absorbed in art and geology, and bade him leave these and write for her a fairy tale. He accepted, and after but two sittings, presented her with this charming story. The incident proved to have awakened in him a greater interest than at first appeared, for a few years later "Effie" Grey became John Ruskin's wife.
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