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Thus far he had not ventured to speak, but his heart bounded at her swift defense of him and her effective attack on Wilkinson. In the brief pause, while Wilkinson was rallying his forces for another charge on Pelgram's tonal battlements, John M. Hurd entered the room. Mr.

Pelgram's upper lip drew viciously back from his teeth; Wilkinson, pleasantly advancing, smiled with content; the flotsam had floated away as noiselessly as youth; and the artist, collecting his forces to reply, saw that, except for the two rapt sycophants at his elbow, he was alone. He laughed a short laugh. "With many, no doubt it is," he snapped.

At this view the role of sycophants was to be played by two young girls who had taken up self-cultivation as a sort of fad, and had somehow become obsessed with the curious idea that art such as was found in Pelgram's studio could assist them in their commendable pursuit of culture.

Pelgram's poses seemed cheap and shallow, and Charlie Wilkinson's free-and-easy carriage might have its virtues, but it certainly was not marked by dignity, nor did it make particularly for respect. "They have no reverence for age, none for the great things, the great days that some of us remember. I confess that I do not like them.

Perhaps you even came to New York to escape him." Considering that Pelgram's studio tea was barely a week in the past, Helen's face betrayed her confusion. "Touché!" said her host, with a laugh. "Really, I may have to revise in part my idea of modern young men. After all, they're not blind." Helen found that time passed quickly during her first few days in New York.

And even among those who considered Pelgram's asinine qualities plainly predominant, there was an admission of his certain artistic readiness, a cleverness in his grouping, a superficial dexterity in his brush work, a smartness and facility in the method of his pursuit of false gods.

Helen hesitated. Still persisted the naughty longing to break forth and say her will, but she knew it would be wrong. After all, there had been in Pelgram's plea as much genuine sincerity as there could be in anything of his, and she felt that her wish to be utterly candid was a childish and unworthy one. "Mr.

It was the close of a cool September day, and a sharp wind whipped the skirt of Pelgram's frock coat around his legs and flecked the blood into the girl's cheeks as she stepped briskly westward, swinging along easily while her rather stout and soft escort, patting the walk with his cane, kept up with some little difficulty.

Ling Hop had been cook on a yacht, when an artistic friend of Pelgram's and a parasite of the yacht's owner had discovered one day that the guardian of the galley was a fair draughtsman with some little imagination; and much to his own surprise the Oriental had been snatched from the cook stove and thrust into the artistic arena.

One of Pelgram's colleagues had pinned Miss Maitland into a corner and was raptly telling her how great an influence a certain old master of whom she had never heard had exerted on the work of an extraordinarily talented young man from Fall River whose name and pictures alike were entirely unknown to her.