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I say, gentlemen, that lascivious details cannot be covered by a moral conclusion, otherwise one could relate all the orgies imaginable, describe all the turpitude of a public woman, making her die in a charity bed of a hospital. It would be allowable to study and depict all the poses of lasciviousness. It would be going against all the rules of good sense.

The lines of her body were long, clean and symmetrical; it was a body which occasionally fell into splendid poses; there was no suggestion of the trim, stereotyped fashion-plate about it. A casual and indiscriminating observer, in passing, might not cast a second glance upon the figure.

It must be admitted that one of the Tanagra figurines is sadly suggestive of a characteristic pose in the cake-walk though it may well be that it is a mere pose which led to none of the abominations with which our stage has been deluged! In the case of Isadora Duncan we have seen poses and movements of extraordinary beauty, exquisitely sympathetic with fine music.

Captain Markley did look poor-spirited, drooping against the sally-port, for a man who in his uniform was the most conspicuous figure to Mackinac girls in a ball-room. Maybe if he had been courting anything but a statue he might have made a better figure at it. Juliana was worse than a statue, though; for she could float through a thousand graceful poses, and drive a man crazy with her eyes.

She had so accustomed herself to these poses that her innate gestures were forgotten. She could not recover them; she could not even reinvent them. Between us there were momentary gleams as though presently we should be our frank former selves again. They were never more than momentary...." And that was all that this astonishing man had seen fit to tell of his last parting from his wife.

The picture painted by Ariosto is finer, but you see too much of the painter; he and his patrons take up nearly the whole foreground, and they have affected, idealized faces and would-be dignified and senatorial poses. For these and many other reasons, I personally prefer Boiardo; and perhaps the best reason for my preference is the irrational one that he gives me more pleasure.

It is true that we sometimes find a "jewel in an Ethiop's ear," but it is the exception that proves the rule. But it is not from the moral standpoint that we wish to consider the subject of physical cleanliness, but from the hygienic. How few people there are who are really physically clean! The outward semblance of cleanliness too frequently poses as the real article.

Above the said plinths are painted some little naked children in various poses, who, in guise of terminals, support a cornice, which binds the whole work together, leaving in the middle of the vault from end to end, as it were, the open sky.

One sees through W. on first meeting, he wears no mask or disguise; but F. defies detection, though their natures are not radically different except in wisdom and tact. Half and more of the actions, poses and speech of men and women is to demonstrate superiority or to avoid inferiority. There are some who feel inwardly inferior, yet disguise this feeling successfully.

We accept their mania and cease to regard it; it, in a word, becomes bromidic. So, in their ways, are all cranks and eccentrics, all whose set purpose is to astonish or to shock. We end by being bored at their attitudes and poses. The Sulphite has the true Gothic spirit; the Bromide, the impulse of the classic.