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There was unhappily an epidemic of dishonesty among the custodians of gems at this period, and, like the notorious Raspe, who fled from Cassel in 1775, and turned some of his old employers to ridicule in his Baron Munchausen, Joseph Bianchi was convicted first of robbing his cabinet and then attempting to set it on fire, for which exploit the "learned and judicious Bianchi," as Smollett called him in his first edition, was sent to prison for life.
When Raspe was resident in Goettingen he obtained, in all probability through Gerlach Adolph von Munchausen, the great patron of arts and letters and of Goettingen University, an introduction to Hieronynimus Karl Friedrich von Munchausen, at whose hospitable mansion at Bodenwerder he became an occasional visitor.
Sindbad ordered another purse of money to be given him, and told him to give up carrying burdens as a porter, and to eat henceforth at his table; for he wished Hindbad to remember all his life that he had a friend in Sindbad the Sailor. By Rodolph Eric Raspe
Tassie engaged Raspe in 1785 to take charge of his cabinets, and to commence describing their contents: he can hardly have been ignorant of his employe's delinquencies in the past, but he probably estimated that mere casts of gems would not offer sufficient temptation to a man of Raspe's eclectic tastes to make the experiment a dangerous one.
But in Caithness lay the loadstone which had brought Raspe to Scotland. This was no other than Sir John Sinclair of Ulbster, a benevolent gentleman of an ingenious and inquiring disposition, who was anxious to exploit the supposed mineral wealth of his barren Scottish possessions.
At once a courtier, an antiquary, and a philosopher, Raspe next sought to display his vocation for polite letters, by publishing an ambitious allegorical poem of the age of chivalry, entitled "Hermin and Gunilde," which was not only exceedingly well reviewed, but received the honour of a parody entitled "Harlequin and Columbine."
Raspe, he went on to say, had discovered a MS. of Theophilus, a German monk in the fourth century, who gave receipts for preparing the colours, and had thereby convicted Vasari of error. "Raspe is poor, and I shall try and get subscriptions to enable him to print his work, which is sensible, clear, and unpretending." Three months later it was, "Poor Raspe is arrested by his tailor.
The manuscripts themselves will be printed, with a full introductory Dissertation by the discoverer, Mr. Raspe, a very learned German, formerly librarian to the Landgrave of Hesse, and who writes English surprisingly well. The manuscripts are in the most barbarous monkish Latin, and are much such works as our booksellers publish of receipts for mixing colours, varnishes, &c.
But when the time came for the fruition of this golden promise, Raspe disappeared, and subsequent inquiries revealed the deplorable fact that these opulent ores had been carefully imported by the mining expert from Cornwall, and planted in the places where they were found.
Neither Raspe nor the baron can be seriously held responsible for a single word of it. It must have been written by a bookseller's hack, whom it is now quite impossible to identify, but who was evidently of native origin; and the book is a characteristically English product, full of personal and political satire, with just a twang of edification.
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