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Updated: June 1, 2025
It was obviously the best room in the house, with a fireplace as wide as a gate, where logs of pine burnt briskly on high iron dogs. The bed loomed mysteriously in one corner with its baldachin of Gobelin tapestry. Here, too, the dim scent of fallen monarchy lingered in the atmosphere. A portrait of Louis XVI. in a faded frame hung over the mantelpiece.
As he walked slowly through the collection of busts and statues of that first room, called "Marbles" on the catalogue, without glancing with the eye of a practised judge at the Gobelin tapestry upon the walls, it must have been that he considered as very grave the novelist's revelation.
M. de Vivonne soundly rated me for such cowardice, as he called it, while Madame de Maintenon offered me her curate-in-chief, or else the Abbe Gobelin.
Would they hang this Gobelin of her brain along the walls of memory, and turn to it tenderly, reading reverently its ciphers and its illuminations; or would it be rent and ridiculed, and trampled under foot? This book was a shrine to which her purest thoughts, her holiest aspirations travelled like pilgrims, offering the best of which her nature was capable.
It was a capacious room, not unlike an English baronial hall, the doorways and windows were furnished with old Gobelin tapestry and the heavy furniture was of mahogany, imported when France drew generously on her colonies. The long table had been roughly cleared after supper by the summary process of bundling all the plates up in the cloth.
The room was close and dark, filled with the smoke from a defective chimney. A tiny boudoir, once the dainty sanctum of imperious Marie Antoinette; a faint and ghostly odour, like unto the perfume of spectres, seemed still to cling to the stained walls, and to the torn Gobelin tapestries. Everywhere lay the impress of a heavy and destroying hand: that of the great and glorious Revolution.
The Pope, who had reached Paris November 28, 1804, left April 4, 1805, just when the Emperor was starting for Italy, there to be crowned at Milan. Pius VII. had received some magnificent presents from the Emperor: a gold altar with chandeliers, and the sacred vessels of rich workmanship, a superb tiara, some gobelin tapestries, carpets from the Savonnerie, and a statue of Napoleon in Sevres ware.
In the family breakfast room we saw some fine Gobelin tapestry, representing the classical story of Meleager. In one of the rooms, on a pedestal, stood a gigantic china vase, a present from the Emperor of Russia, and in the state rooms before we had seen a large malachite vase from the same donor.
She often spoke of leaving the court. "As I tell you everything honestly," she wrote in 1675 to her confessor, Abbe Gobelin, "I will not tell you that it is to serve God that I should like to leave the place where I am; I believe that I might work out my salvation here and elsewhere, but I see nothing to forbid us from thinking of our repose, and withdrawing from a position that vexes us every moment.
And now, in the sunny afternoon, there could hardly be a spectacle more picturesque than the vista of that noble street, stretching into the interminable distance between two rows of lofty edifices, from every window of which, and many a balcony, flaunted gay and gorgeous carpets, bright silks, scarlet cloths with rich golden fringes, and Gobelin tapestry, still lustrous with varied hues, though the product of antique looms.
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