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Updated: June 3, 2025
The work had to begin from the bottom with personal interviews with the members, watching the bills relating to women and children, showing the need of women's influence, etc. In 1904 Dr. Jacobs, Misses Johanna W. A. Naber and E. L. van Dorp, Mrs. von Loenen de Bordes, Mrs. Rutgers Hoitsema and Mrs.
Meikki Friberg, Finland; Zeniede Mirovitch, Elizabeth Goncharow, Olga Wolkenstein, Anne Kalmanovitch, Russia; Rosika Schwimmer, Vilma Glücklich, Bertha Engel, Hungary; Lida Gustave Heymann, Adelheid von Welczeck, Regina Ruben, Germany; Mrs. Rutgers Hoitsema, Mrs. van Loenen de Bordes, Netherlands; Millicent Garrett Fawcett, Lady Steel, Dora Montefiore, Mrs.
I this time saw Paris in as favorable a point of view as it had appeared to me in an unfavorable one at my first journey; not that my ideas of its brilliancy arose from the splendor of my lodgings; for in consequence of an address given me by M. Bordes, I resided at the Hotel St.
But, twenty years afterwards it will be seen, in M. Bordes, to what a degree the self-love of a wit can make him carry his vengeance when he feels himself neglected. Before I leave Lyons, I must not forget an amiable person, whom I again saw with more pleasure than ever, and who left in my heart the most tender remembrance.
Euphemie Verges, said the accusation, thus thought herself exposed daily, by the infidelity of her husband, to the loss of all her hopes. Also, talking to a Mme Bordes about the two servants some days after Lacoste's death, she said, ``I had a bad time with those two girls! If my husband had lived longer I might have had nothing, because he wanted a child that he could leave everything to.
A publishing house has been associated with the School at Paris; and from this we get Reviews, such as the Tribune de Saint-Gervais; publications of old music, such as the Anthologie des maîtres religieux primitifs des XVe, XVIe, et XVIIe siècles, edited by Charles Bordes; the Archives des maîtres de l'orgue des XVIe, XVIIe, et XVIIIe siècles, edited by Alexandre Guilmant and André Pirro; the Concerts spirituels de la Schola, the new editions of Orfeo, and the Incoronazione di Poppea, edited by M. Vincent d'Indy; and publications of modern music, such as the Collection du chant populaire, the Répertoire moderne de musique vocale et d'orgue, and, notably, the Édition mutuelle, published by the composers themselves, whose property it is.
In a little time I had another adversary whom I had not expected; this was the same M. Bordes, of Lyons, who ten years before had shown me much friendship, and from whom I had received several services. I had not forgotten him, but had neglected him from idleness, and had not sent him my writings for want of an opportunity, without seeking for it, to get them conveyed to his hands.
Nevertheless, for the last week, under the immediate necessity of finding Labordette's hundred thousand francs, Muffat had been able to hit on but one expedient, from which he recoiled. This was that he should sell the Bordes, a magnificent property valued at half a million, which an uncle had recently left the countess.
Then came Bach's cantatas; and their performance, given by M. Bordes in the Salle d'Harcourt, attracted large audiences and started the cult of this master in Paris. Then they sang Rameau and Gluck; and, finally, all ancient music, sacred or secular, was approved.
These were very agreeable acquaintances, especially the first, to whose friendship for me his death only put a period, and from whom, in our private conversations, I received advice which I ought to have more exactly followed. I likewise saw M. Bordes, with whom I had been long acquainted, and who had frequently obliged me with the greatest cordiality and the most real pleasure.
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