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His cap was pulled down over his eyes and a sullen determined look was on his face. "You come on outside with me," he said, stepping in and closing the door. He kept his hand on the knob as though prepared to resist anyone else coming in. "You just come along outside. I want to see you." George Willard and Elmer Cowley walked through the main street of Winesburg.
"To come out of Ransom Surbeck's pool room and think things like that," he whispered. "It is better to be alone. If I talked like Art Wilson the boys would understand me but they wouldn't understand what I've been thinking down here." In Winesburg, as in all Ohio towns of twenty years ago, there was a section in which lived day laborers.
At the door he stopped, and after looking up and down the deserted street, turned again to George Willard. "I am delivered. Have no fear." He held up a bleeding fist for the young man to see. "I smashed the glass of the window," he cried. "Now it will have to be wholly replaced. The strength of God was in me and I broke it with my fist." Snow lay deep in the streets of Winesburg.
Wing Biddlebaum, forever frightened and beset by a ghostly band of doubts, did not think of himself as in any way a part of the life of the town where he had lived for twenty years. Among all the people of Winesburg but one had come close to him. With George Willard, son of Tom Willard, the proprietor of the New Willard House, he had formed something like a friendship.
And as for the effort to place Winesburg, Ohio in a tradition of American realism, that now seems dubious. Only rarely is the object of Anderson's stories social verisimilitude, or the "photographing" of familiar appearances, in the sense, say, that one might use to describe a novel by Theodore Dreiser or Sinclair Lewis.
Things like his mother's death, his departure from Winesburg, the uncertainty of his future life in the city, the serious and larger aspects of his life did not come into his mind.
In each story one of them emerges, shyly or with a false assertiveness, trying to reach out to companionship and love, driven almost mad by the search for human connection. In the economy of Winesburg these grotesques matter less in their own right than as agents or symptoms of that "indefinable hunger" for meaning which is Anderson's preoccupation.
David Hardy of Winesburg, Ohio, was the grandson of Jesse Bentley, the owner of Bentley farms. When he was twelve years old he went to the old Bentley place to live.
The elders of the church liked him because he was quiet and unpretentious and Mrs. White, the banker's wife, thought him scholarly and refined. The Presbyterian Church held itself somewhat aloof from the other churches of Winesburg. It was larger and more imposing and its minister was better paid. He even had a carriage of his own and on summer evenings sometimes drove about town with his wife.
He never had been drunk before, and indeed in all his life had never taken a drink of anything intoxicating, but he felt he needed to be drunk that one time and so went and did it. In Cincinnati, when he lived there, Tom had found out many things, things about ugliness and crime and lust. Indeed, he knew more of these things than anyone else in Winesburg.
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