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Updated: June 19, 2025
Channing was its most dignified and characteristic name in literature. But he was distinctively a preacher, and his serene and sweet genius never unbent into a frolicsome mood. As early as 1820 a volume of Robert Burns's poems fell into Whittier's hands like a spark into tinder, and the flame that has so long illuminated and cheered began to blaze.
He praised certain portions very highly, but averred that these were exceptional, and concluded with what seems to be a "reductio ad absurdum," namely, that Longfellow's poem of "The Bridge" or Whittier's "School Days" was worth the whole body of Emerson's verse.
He had made a great effort to succeed, and he knew that at home they would be very happy to hear that the prize had been awarded to him. "Frank Frost will come forward," said Mr. Rathburn. Frank left his seat, and advanced modestly. Mr. Rathburn placed in his hand a neat edition of Whittier's Poem's in blue and gold. "Let this serve as an incentive to renewed effort," he said.
And no country is of much interest until legends and poetry have draped it in hues that mere nature cannot produce. We looked at Nahant for Longfellow's sake; we strained our eyes to make out Marblehead on account of Whittier's ballad; we scrutinized the entrance to Salem Harbor because a genius once sat in its decaying custom-house and made of it a throne of the imagination.
As the sun rose, both of us sat with eyes fixed upon the scenery, observant of every feature. It was all so strange, yet familiar! Barns with long, sloping roofs stood with their backs against the hillsides, precisely as in the illustrations to Hawthorne's stories, and Whittier's poems.
"The Tent on the Beach" paid almost as well; and his collection of English and American poetry was a fortunate hit, on the part of his publishers, which Whittier's modest nature would not otherwise have thought of; so that he was well provided for, in old age, and could even have made a journey around the world like General Grant, if he had been so disposed.
Whittier's opinion, as we may infer from his recent beautiful poem, "The Minister's Daughter." It is not science alone that the old Christian pessimism has got to struggle with, but the instincts of childhood, the affections of maternity, the intuitions of poets, the contagious humanity of the philanthropist, in short, human nature and the advance of civilization.
The delicate irony with which she also exposed the ignorance and the shallowness of its author must have caused him to blush for very shame. Whittier's muse, too, found the Pastoral Letter a fitting theme for its vigorous, sympathetic utterances. The poem thus inspired is perhaps one of the very best among his many songs of freedom. It will be remembered as beginning thus:
But it was not until the publication of "Snow-Bound" in 1866 that Whittier's work touched its widest popularity. He had never married, and the deaths of his mother and sister Elizabeth set him brooding, in the desolate Amesbury house, over memories of his birthplace, six miles away in East Haverhill.
The Rhine and the Tiber are more famous than the Merrimac; but their water is muddy and undrinkable. Indeed the current of Whittier's life might not improperly be compared to the river beside which he dwelt so long.
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