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Updated: June 18, 2025
This paper has exceeded the length we designed to give it; but, nevertheless, we beg the reader's indulgence for a few moments longer, while we conclude with an octosyllabic version of the last thirty lines of the celebrated Ugolino story. It is unrhymed; for that terrible tale can dispense, in English, with soft echoes at the end of lines.
The full title of the poem is The Vision of Piers Plowman. Three distinct versions of it exist, the first c. 1362, the second c. 1377, and the third 1393 or 1398. It has been described as "a vision of Christ seen through the clouds of humanity." It is divided into nine dreams, and is in the unrhymed, alliterative, first English manner.
The minute study of the laws and properties of metre is observable in almost every piece in these volumes. Every kind of lyric measure, rhymed and unrhymed, is attempted with success; and we doubt whether, upon the whole, there are many specimens of the heroic couplet or blank verse superior in construction to what Mr. Coleridge has given us.
In that noblest of our verses, the unrhymed iambic pentameter, two short or lightly-accented syllables may often gracefully and effectively take the place of a long or heavily-accented one; but great metrists contrive their pauses by the artistic choice and position of their syllables, and not by leaving them out.
Parsons, in the passages cited from the "Inferno," or with those from the "Paradiso," in Mr. Longfellow's less free unrhymed version, the resources and flexibility of Mr. Dayman in handling the difficult measure will be again manifest.
A poem, a genuine poem, assumes its form by an inward necessity. "Paradise Lost," conceived in Milton's brain, could not utter itself in any other mode than the unrhymed harmonies that have given to our language a new music. It could not have been written in the Spenserian stanza. What would the "Fairy Queen" be in blank verse?
And so was the music of the "blank" or unrhymed five-stress lines of Marlowe and Shakspere and Milton, and as we listened it was easy to believe that "stress" and "quantity" and "syllable," all playing together like a chime of bells, are concordant and not quarrelsome elements in the harmony of modern English verse.
It is only on this hypothesis that his course while in high command, but especially during that long autumn and winter, admits of a consistent and intelligible explanation. The Iliad of Homer faithfully translated into Unrhymed English Metre. By F. W. NEWMAN. London. 1856. Mr.
He had a bed of box next to one of phlox, and a trellis of woodbine grew next to one of eglantine, and a thicket of elder-blows was next to one of rose; but he was forced to let his violets and honeysuckles and many others go entirely unrhymed this disturbed him considerably, but he reflected that it was not his fault, but that of the man who made the language and named the different flowers he should have looked to it that those of complementary colors had names to rhyme with each other, then all would have been harmonious and as it should have been.
In three of these comedies rhyme can hardly be said to be beaten; that is, the rhyming scenes are on the whole equal to the unrhymed in power and beauty.
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