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Updated: May 13, 2025
The young man entertained a very strong affection for Bernardo, who, if he wanted genius, was far from being destitute of amiable and endearing qualities; and therefore, notwithstanding that he felt it would greatly interfere with his studies, and trench upon his time, he immediately determined to comply with the old man's desires. The next morning saw Spinello installed in his new office.
After the many pictures made in the Duomo, Spinello painted in S. Francesco, in the Chapel of the Marsuppini, Pope Honorius confirming and approving the Order of that Saint, and made there from nature the portrait of Innocent IV, from whatsoever source he had it. He painted also in the same church, in the Chapel of S. Michelagnolo, many stories of him, in the place where the bells are rung; and a little below, in the Chapel of Messer Giuliano Baccio, an Annunciation, with other figures, which are much praised; all which works made in this church were wrought in fresco, with very resolute handling, from 1334 up to 1338. Next, in the Pieve of the same city, he painted the Chapel of S. Pietro e S. Paolo, and below it, that of S. Michelagnolo; and, for the Confraternity of S. Maria della Misericordia, he painted in fresco, on the same side of the church, the Chapel of S. Jacopo e S. Filippo; and over the principal door of the Confraternity, which opens on to the square namely, on the arch he painted a Piet
Attracted by the fame of this work, Messer Barone Capelli, citizen of Florence, caused Spinello to paint in fresco, in the principal chapel of S. Maria Maggiore, many stories of the Madonna and some of S. Anthony the Abbot, and near these the consecration of that very ancient church, consecrated by Pope Paschal, second of that name; and all this Spinello wrought so well that it appears made all in one day, and not in many months, as it was.
Her father of course accompanied her on her return: but Spinello, in spite of his entreaties and remonstrances, was compelled to remain where he was; as Beatrice, who feared that Arezzo might recall all his gloomy ideas, peremptorily insisted that he should never return, but settle at Gaëta, or remove to Naples.
And I have no doubt with effect; because fast, solitude, and meditation in other words, thought or fancy intensely concentred will both raise apparitions and produce the invoker's belief in them. Spinello, striving to conceive the image of Lucifer for his picture of the Fallen Angels, was at last actually haunted by the Shadow of the Fiend.
A host of painters, "the Giottesques," as we may call them, followed: Puccio Capanna, Buffalmacco, Francesco da Volterra, Stefano Fiorentino, the grandson of Giotto, Giottino, and Spinello Aretino, all of whom were painting about the middle of the fourteenth century in Giotto's manner but without his genius, or any true understanding of his art.
Nor should this appear anything wonderful, because, it having been something peculiar and natural to Spinello to give to his figures a certain simple grace, which has much of the modest and the saintly, it appears that the figures that he made of saints, and above all of the Virgin, breathe out a certain quality of the saintly and the divine, which moves men to hold them in supreme reverence; as it may be seen, apart from the said figure, in the Madonna that is on the Canto degli Albergotti, and in that which is on an outer wall of the Pieve in the Seteria, and in one of the same sort, likewise, that is on the Canto del Canale.
With this daughter it was to be expected that Spinello would immediately be in love; but our young artist had left behind him, in his native village, a charming girl, to whom he was in a manner betrothed; and he was the last man in the world to look upon another with a wandering heart.
To Simone is also attributed the interesting portrait of Guidoriccio Fogliani de' Ricci, on horseback, in the Sala del Consiglio. This, however, has been so much repainted as to have lost its character. In S. Francesco at Pisa. Spinello degli Spinelli was born of a Ghibelline family, exiled from Florence, who settled at Arezzo about 1308.
In his slumbers he saw an Angel as comely as St. Michael, but black; and the Angel said to him: “Spinello, I am Lucifer. Tell me, where had you seen me, that you should paint me as you have, under so ignominious a likeness?”
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