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Updated: June 13, 2025


Sometimes, indeed, Spinello would observe that when he gazed in rapture, rather than in passion, upon the face of Beatrice, a certain something, like a ray of light, or a spark of fire fallen upon an altar, would penetrate his soul, and kindle a sudden and fierce pain; but it usually passed quickly away, and was forgotten.

Summoned thence to Florence by Don Jacopo d'Arezzo, Abbot of S. Miniato sul Monte, of the Order of Monte Oliveto, Spinello painted on the vaulting and on the four walls of the sacristy of that monastery, besides the panel in distemper for the altar, many scenes in fresco of the life of S. Benedict, with great mastery and with much vivacity of colouring, learnt by him by means of long practice and of labouring continually with zeal and diligence, even as in truth all must do who wish to acquire any art perfectly.

In another chapel of the same church, which is beside the principal chapel, Spinello made, also in fresco, some stories of the Madonna, and the Apostles appearing to her miraculously before her death, and likewise the moment when she dies and is then borne to Heaven by the Angels.

Spinello Spinelli was sprung of a noble family of Florentine exiles, and his graciousness of mind matched his gentle birth; for he was the most skilful painter of his time. He wrought many and great works at Florence; and the Pisans begged him to complete Giotto’s wall-paintings in their Campo Santo, where the dead rest beneath roses in holy earth shipped from Jerusalem.

For we must not wrong even the Devil himself." "You had best go to sleep again," scolded his wife. "You are talking stark nonsense, and unchristian to boot." Spinello tried to rise, but his strength failed him and he fell back unconscious on his pillow. He lingered on a few days in a high fever, and then died.

He was buried in S. Agostino, in the same tomb wherein his father Spinello had been laid, and his death caused displeasure to all the men of culture who knew him.

And in our book there are some drawings by his hand, done very well with the pen. Parri was portrayed by Marco da Montepulciano, a disciple of Spinello, in the cloister of S. Bernardo in Arezzo. He lived fifty-six years, and he shortened his life by reason of being by nature melancholic, solitary, and too assiduous in the studies of his art and in his labours.

A tremendous adventure, and a unique one, had not the Giants in like fashion assailed the god Jupiter, as yourself have seen, Spinello, recorded on an ancient tomb where this Titanic war is carved in marble." "It is true," said Spinello, "I have seen the tomb, shaped like a great tun, in the Church of Santa Reparata at Florence. 'Tis a fine work of the Romans."

The story of the Florentine painter Spinello Spinelli, to whom Lucifer appeared in a dream to ask him in what place he had beheld him under so brutish a form as he had painted him, is told in Giorgio Vasari’s Vite de’ più eccellenti Pittori, Scultori, ed Architteti , which is the basis of the history of Italian art. The devil is very sensitive in regard to his appearance.

At last, after working long years in divers cities and getting much gold, he longed to see once more the good city of Arezzo, his mother. The men of Arezzo had not forgotten how Spinello, in his younger days, being enrolled in the Confraternity of Santa Maria della Misericordia, had visited the sick and buried the dead in the plague of 1383.

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