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Updated: May 7, 2025
Into the water splashed the girl, urging on her spirited horse, that was none the worse for his jump and his long slide. "Good work! Good work!" cried an assistant director, who was stationed near the stream to see that all went according to the scenario. "Keep on, Miss Brown!"
Ruth Fielding weeping! She might have cried many times in the past, but almost always in secret. Tom, who knew her so well, had seen her in dangerous and fear-compelling situations, and she had not wept. "What is it?" he demanded. "What have you lost?" "My scenario! All my work gone!" "The new story? My goodness, Ruth, it couldn't have blown away!" "But it has!" she wailed.
Then the scenes were enacted over again, but with more tenseness and with a knowledge that every motion was being filmed with startling exactness. "Now, Ruth, you come on!" called Mr. Pertell. "We've made a little change from the original scenario. You're to relieve Miss Dixon, who has been on this case.
But in this case it seemed that the scenario writer had been altogether too secret. Had Ruth not chanced to read the hermit's script before making her accusation, Mr. Hammond would have felt differently. Better, had she been willing to relate to him in the first place the story of the plot of her scenario and how she had treated it, her present accusation might have seemed more reasonable.
Before setting out on the preparation of a picture, the book is first written known in the business as a scenario giving a complete statement as to the scenery, drops and background, and the sequence of events, divided into scenes as in an ordinary play.
Alfred Sutro practically confesses to a scenario. He says: "Before I start writing the dialogue of a play, I make sure that I shall have an absolutely free hand over the entrances and exits: in other words, that there is ample and legitimate reason for each character appearing in any particular scene, and ample motive for his leaving it." Mr.
There is here the complete scenario, and a good deal more, for a novel as long as Clarissa and much more interesting, capable of being worked out in the manner, not merely of Richardson himself, but of Mr. Meredith or Mr. Hardy.
Doubt and suspicion, however, enthralled her mind. She was both curious and anxious. Ruth had no particular desire to read the manuscripts. In any case she did not presume Mr. Hammond desired her advice about selecting a script for filming. She skimmed through the first story. It had not a thing in it that would suggest in the faintest way any familiarity of the author with her own lost scenario.
You might not think it, to look at me, but I'm really rather a dashed shrewd chap, and I can see there's something up. Why not give me the jolly old scenario and see if we can't do something?" Nelly moved as if to turn to the door, then stopped. She was thoroughly ashamed of herself. "I'm a fool!" "No, no!" "Yes, I am.
As freshmen their experiences are related in "Ruth Fielding at College; Or, The Missing Examination Papers." This volume is followed by "Ruth Fielding in the Saddle; Or, College Girls in the Land of Gold," wherein Ruth's first big scenario is produced by the Alectrion Film Corporation.
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