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Updated: June 8, 2025
Rodolfo was now impatient to get rid of Leocadia, and made up his mind to lay her in the street, insensible as she was. He had set to work with that intention, when she came to herself, saying, "Where am I? Woe is me! What darkness is this? Am I in the limbo of my innocence, or the hell of my sins? Who touches me? Am I in bed? Mother! dear father! do you hear me?
When Rodolfo heard this, carried away by the vehemence of his passion, and on the strength of his title as a bridegroom disdaining all conventional proprieties, he clasped Leocadia in his arms, and with his lips pressed to hers, seemed as if he was waiting for her soul to issue forth that he might absorb and mingle it with his own.
Whilst his eyes were thus making his soul captive to the lovely image of Leocadia, she, on the other hand, finding herself so near to him who was dearer to her than the light of those eyes with which she furtively glanced at him from time to time, began to revolve in her mind what had passed between her and Rodolfo.
He attributes to Vittorino da Feltre the introduction of the systematic study of music and credits him with publicly teaching the art and inspiring in some measure the treatise of Jean le Chartreux. From Bertolotti we learn that Maestro Rodolfo de Alemannia, an organist, and German, living in Mantua, obtained in 1435 certain privileges in the construction of organs for six years.
This young cavalier whose real name we shall, for good reasons, conceal under that of Rodolfo was abroad that night with four of his companions, insolent young roisterers like himself, and happened to be coming down a hill as the old hidalgo and his family were ascending it. The two parties, the sheep and the wolves, met each other.
The only reply Rodolfo made to the unhappy Leocadia was to embrace her, and attempt a repetition of his offence; but she defended herself with hands, feet, and teeth, and with a strength he could not have supposed her capable of exerting.
Rodolfo proved to be one of the most faithful and devoted of friends; he remained at Bologna as long as Cardan continued to live there, sharing his master's ill-fortune, and ultimately accompanied him to Rome in 1571. He gives the names of two other Bolognese students, Giulio Pozzo and Camillo Zanolino, but of all his surviving pupils he rates Sylvestro as the most gifted.
Meanwhile Rodolfo had Leocadia safe in his custody, and in his own apartment. It was in a wing of his father's house, of which he had the keys, a great imprudence on the part of any parent.
Finally, the one party went off exulting, and the other was left in desolation and woe. Rodolfo arrived at his own house without any impediment, and Leocadia's parents reached theirs heart-broken and despairing.
Rodolfo had long contemplated a visit to Italy; and his father, who himself had been there, encouraged him in that design, telling him that no one could be a finished gentleman without seeing foreign countries. For this and other reasons, Rodolfo readily complied with the wishes of his father, who gave him ample letters of credit on Barcelona, Genoa, Rome, and Naples.
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