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Updated: June 3, 2025
You have seen those exquisite child-angel faces on Raphael Tuck's Christmas cards? I think the artist must just have dreamed of Nell, and then reproduced the vision imperfectly. She was ten, and had a little fairy-like figure, gold hair clustering in wonderful waves and curls around her face, soft hazel eyes, and a little rosebud of a mouth.
From Perugia the young Raphael made his way to Florence, and here he underwent many influences. At that moment Florence was the capital city of Italian culture. It was here that the new humanism had come to finest flower. Scholarship was the fashion; art was the chief interest of this beauty-loving people.
The painter betook himself to the house of the Flemish Raphael, and the rest of the company went back to their lodgings; where the young gentleman, taking the advantage of being alone with the physician, recapitulated all the affronts he had sustained from the painter's petulance, aggravating every circumstance of the disgrace, and advising him, in the capacity of a friend, to take care of his honour, which could not fail to suffer in the opinion of the world, if he allowed himself to be insulted with impunity, by one so much his inferior in every degree of consideration.
Fra Bartolommeo was represented by a Holy Family, which many connoisseurs might have taken for a Raphael. The Hobbema would have fetched sixty thousand francs at a public sale; and as for the Durer, it was equal to the famous Holzschuer portrait at Nuremberg for which the kings of Bavaria, Holland, and Prussia have vainly offered two hundred thousand francs again and again.
Rather of one who stays on to protest against the false additions of his whilom pupils." "But we don't protest." "Our mere existence since the Dispersion is a protest," urged Raphael. "When the stress of persecution lightens, we may protest more consciously.
All seemed united in it: the art of Raphael, reflected in the lofty grace of the grouping; the art of Correggio, breathing from the finished perfection of the workmanship. But more striking than all else was the evident creative power in the artist's mind.
In his absolute sincerity he made, as it were, a parade of hard and rugged types, scorning to introduce an element of beauty, whether sensuous or ideal, that should distract him from the study of the body in and for itself. This distinguishes him in the arabesques at Orvieto alike from Mantegna and Michael Angelo, from Correggio and Raphael, from Titian and Paolo Veronese.
Thus warned, the angels spoke: "Lord of the world, it is well that Thou hast thought of creating man. Do Thou create him according to Thy will. And as for us, we will be his attendants and his ministers, and reveal unto him all our secrets." Thereupon God changed Labbiel's name to Raphael, the Rescuer, because his host of angels had been rescued by his sage advice.
His mornings were passed in the reveries of his art; his evenings in the gay and fascinating society of Florence, where the fame of Perugino's beloved pupil had already reached. The frescos at Siena were spoken of; and the beautiful countenance and graceful deportment of Raphael won him the friendship of distinguished men.
You chose your topic Raphael, Shakespeare, Gothic Architecture, or some such big familiar "subject" and read up about it for a week or so at the Athenaeum or the Astor Library, and then told your audience what you had read. Now, it appeared, that simple process was no longer adequate.
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