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"Then I'm not worried about Gridley having a winning team this year," Dick answered. "By Jove, you had a lot to do with that, too, didn't you, Prescott?" cried Purcell. "You put it over the 'soreheads' so hard that we never heard from them again after we got started." "You helped there, also, Purcell.

There are people who can keep the facts that front them absent from their contemplation by not framing them in speech; and much benevolence of the passive order may be traced to a disinclination to inflict pain upon oneself. "My duty to my father," being cited by Cornelia, Sir Purcell had to contend with it. "True love excludes no natural duty," she said.

He was not naturally courageous, but he had a dangerous temper, and he now realized to what it had brought him. Mr. Cantwell was trying to frame a lame apology when an indignant voice cried out: "Coward!" His face livid, the principal turned. "Who said that?" he demanded, at white heat. "I did!" admitted Purcell, promptly. Abner Cantwell sprang at this second "offender."

"It is also love; and is it not the least selfish love?" Step by step Sir Purcell watched the clouding of her mind with false conceits, and knew it to be owing to the heart's want of vigour. Again and again he was tempted to lay an irreverent hand on the veil his lady walked in, and make her bare to herself.

Purcell, turning to Mrs. Laudersdale again, with a flush on her cheek. "So I presume." "Strange! And this was given to mamma by her mother, whose maiden name was Susan White. There's some diablerie about it." "Oh, that is a part of the ceremony of money-hiding," said Mr. Raleigh. "Kidd always buried a little imp with his pots of gold, you know, to work deceitful charms on the finder."

"Strike two!" A howl of glee went up from all quarters, save from the Gardiner visitors. Again Dick signaled. His third was altogether different -a bewildering out-curve. Gardiner's batsman didn't offer, but Purcell caught the leather neatly. "Strike three, and out! One out!" announced the umpire. "Whoop!" The joy from the home fans was let loose.

She also interested herself, like Mrs. Purcell, in the publication of her husband's compositions. She was only twenty-seven when he died, and her interest in his honour, as well as the conspicuous motherliness she showed to the children he had left her, were all the more praiseworthy.

Of course, the "Epithalamium" she was going to sing was as florid as it could be. Purcell had suited it to his own singing.... A woman did not always sing to an orchestra as well as to a single instrument. That was only when the singer was an insufficient musician.

That little monkey with the cherub's voice is Purcell Dr. Blow's favourite pupil and a rare genius." They sang another song from De Malfort's repertoire, an Italian serenade, which Hyacinth had heard in the brilliant days before her marriage, when the Italian Opera was still a new thing in Paris. The melody brought back the memory of her happy girlhood with a rush of sudden tears.

In a few later shows it is true that he did, but some of the plays were written before he was born, some while he was a boy, and others later ones are known to have been first given without the aid of his music. The Indian Emperour was first played in 1665; Purcell added music in 1692. Tyrannic Love was produced in 1668 or 1669; the music was added in 1694.