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Updated: June 27, 2025
At last occurred what he had so long been expecting: he felt the bite! His blood rushed about just in the proper way, he lost his breath, his head became hot, a cold shiver ran down his back, and he grew moist between the fingers. In short, all the symptoms supervened which, according to the testimony of poets and experienced prose-writers, betoken real, true, genuine love.
There is really no excuse for Lockhart, except that he DID repent, that much of his banter was amusing, and that, above all, his censures were accepted by the poet, who altered, later, many passages of a fine absurdity criticised by the infamous reviewer. One could name great prose-writers, historians, who never altered the wondrous errors to which their attention was called by critics.
The great dramatists and poets and prose-writers of the epoch were in the position of artists working by special permission for the benefit and pleasure of a select public to which they themselves had no claim to belong.
The language of the greater part of the prose-writers of the present day is so declamatory, so diffuse, and so abundant in superlatives, that their work seems written to order, in hackneyed phraseology, and for conventional natures; it does not once enter into their heads that to write well is to express one's thoughts and character.
The only American book I ever read twice was the Journal of Edward Woolman, a Quaker preacher and tinker, whose character is one of the finest I ever met. He tells a story or two about negro slaves that brought the tears into my eyes. I can read no prose now, though Hazlitt sometimes, to be sure but then Hazlitt is worth all the modern prose-writers put together."
Yet when once the stamp of poetry has been put upon a cry that is as old as humanity, prose desists from rivalry, and is content to quote. Some of the greatest prose-writers have not disdained the help of these borrowed graces for the crown of their fabric. In this way De Quincey widens the imaginative range of his prose, and sets back the limits assigned to prose diction.
But there is a fascination in the mere sound of articulated breath; of consonants that resist with the firmness of a maid of honor, or half or wholly yield to the wooing lips; of vowels that flow and murmur, each after its kind; the peremptory b and p, the brittle k, the vibrating r, the insinuating s, the feathery f, the velvety v, the bell-voiced m, the tranquil broad a, the penetrating e, the cooing u, the emotional o, and the beautiful combinations of alternate rock and stream, as it were, that they give to the rippling flow of speech, there is a fascination in the skilful handling of these, which the great poets and even prose-writers have not disdained to acknowledge and use to recommend their thought.
And through a mysterious psychological turn, which probably deserves investigation, I believe that I have risen to a type of production which with entire consciousness has brought forth that which I myself still approve of though perhaps without being able ever again to swim in this current but which Aristotle and other prose-writers would even ascribe to a sort of madness.
At this stage the study of the great prose-writers is substituted for that of the poets; themes are set for essays to be written upon them; and those essays will then be delivered as speeches. Sometimes a familiar statement or maxim from a poet is put forward to be refuted or supported, or for you to argue first against it and then for it.
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