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After these are reckoned the dwellers north on the Elbe, Saxo the Splitter, Sali the Goth; Thord the Stumbler, Throndar Big-nose; Grundi, Oddi, Grindir, Tovi; Koll, Biarki, Hogni the Clever, Rokar the Swart. Now these scorned fellowship with the common soldiers, and had formed themselves into a separate rank apart from the rest of the company.

The complaints of the merchants and artisans were vain; the Papal Governors and nipoti held their tongues, or took themselves off on the first opportunity. At last the Oddi were forced to abandon Perugia, and the city became a beleaguered fortress under the absolute despotism of the Baglioni, who used even the cathedral as barracks.

To meet the advancing and irresistible duke came ambassadors from Perugia with smooth words of welcome, the offer of the city, and their thanks for his having delivered them of the tyrants that oppressed them; and there is not the slightest cause to suppose that this was mere sycophancy, for a more bloody, murderous crew than these Baglioni whose feuds not only with the rival family of the Oddi, but among their very selves, had more than once embrued the walls of that city in the hills it would be difficult to find in Italy, or anywhere in Europe.

Perugia had been passing through evil times just before this. The two great parties of the Oddi and Baglioni families were always at war together. Whichever of them happened to be the stronger held the city and drove out the other party, so that the fighting never ceased either inside or outside the gates. The peaceful country round about had been laid waste and desolate.

The same reflections are suggested at Perugia, torn by the savage feuds of the Oddi and Baglioni, at warfare with Assisi, reduced to exhaustion by the discords of jealous parties, yet memorable in the history of painting as the head-quarters of the pietistic Umbrian school. The contradiction is, however, in both cases more apparent than real.

A few years ago the city of Perugia was split into the two factions of the Baglioni and the Oddi, the former holding the government, the latter being in exile.

There is nothing like this in the history of Tuscany, whose palaces not long were fortresses nor her monks at any time successful politicians. Cosimo had pulled down the Florentine towers or ever the last Oddi had loosed hold of Ridolfo's throat, I know that Siena is just within that province geographically; in temperament, in art and manner, she has always shown herself intensely Umbrian.

It was rather a leadership exercised by means of their vast wealth and of their practical influence in the choice of public officers. Within the family one man was recognized as head; but deep and secret jealousy prevailed among the members of the different branches. Opposed to the Baglioni stood another aristocratic party, led by the family of the Oddi.

Had one of those glorious young gallants, Baglioni or Oddi, clothed in scarlet, winged, helmeted, sword on thigh, as Perugino has painted them on the walls of the Sala del Cambio very strangest union of sensuous worldliness and radiant arch-angelic grace had one of these magnificent gentlemen ruffled into the hotel parlour, he could hardly have startled the eyes, and perplexed the understanding, of the virtuous and learned Anglo-Saxon and Transatlantic feminine beings there assembled, more than did Madame de Vallorbes.

It is a very notable thing that Raffaello, studying the manner of Pietro, imitated it in every respect so closely, that his copies could not be distinguished from his master's originals, and it was not possible to see any clear difference between his works and Pietro's; as is still evident from some figures in a panel in S. Francesco at Perugia, which he executed in oils for Madonna Maddalena degli Oddi.