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Updated: May 24, 2025


Nothing happened that could have been construed as illegal. The passion between the child and the old man aroused the jealousy of old Mrs. Minna von Mondmilch. After the marital discord had become too burdensome, the angered civil servant felt compelled to agree one year later to a separation from his ward. He also had to consider his daughter, who had become a young woman. The parting was hard.

Like a cat he pounced onto the girl in the middle of the sleep-sofa. Now she fought him off. Ready, with anxious eyes, to give herself to him. As they were wrestling the student sang her theme-song: "I am Maria Mondmilch, the girl, the virgin. Open your door for me. You, I tried the surface of many men's flesh, old men and young. I tempted them all. In all of them I sought my man.

While a troop of soldiers marching by outside whistled the well-known folk song, "Little Maria, you sweet little creature etc..." Without a spoken agreement, the lovers, arm-in-arm, moved in the direction of the student's room when they left the boozy saloon. Upstairs, Maria Mondmilch laid down, with her legs crossed, on a sleep-sofa near the bookcase.

His Excellency Moriz von Mondmilch had a crying fit. Maria Mondmilch arrived in a large city. The strangers with whom she boarded were paid a large amount of money. But otherwise they did not concern themselves with Maria Mondmilch. She exchanged secret letters with the noble uncle, filled with overflowing longing for life and hopes for adventure.

In the proceedings against a teacher of literature at the high school who, in spite of being accused of having committed several sexual crimes, had to be acquitted, she was the most important witness. The young girl preferred to spend the night in the notorious section of the city. Maria Mondmilch allowed every possible kind of riff-raff, to speak to her, but she ran away from most of the men.

Mondmilch who at the time was a student drank tea, read newspapers, and smoked. After the birth of the child she had secretly left her spouse, supposedly to spend a few weeks with a champagne-waiter. Thereafter she fooled around alternately with very different men from very different social classes.

Then Maria Mondmilch called out as she fell on him: "Little Schwertschwanz, do you love me " And already intoxicated: "He does not love me." The man fall back in utter indolence. The student spat on his collar. Rammed the hat on the head of the spineless man. Pressed a gold coin into his hand. Threw him out.

Mondmilch, is a possibility, but when I try to make my valleys and peaks comprehensible to her, looking with longing into her eyes, give myself to her she is distant, takes notes, has secret talks with Lenzlicht, prescribes tranquilizers. She is very brutal, I sometimes believe that she loves me secretly.

Together they both went into a cheap saloon. Before speaking to the student, the actor Schwertschwanz had been thinking about what could most readily explain the doubt he had had for many years: the ultimate unimportance of all events; or only the happenstance that important people often must croak because of a lack of appropriate nourishment and medicine... the inadequacy of women... The incurable nature of Tabes disease, the symptoms of which he believed he detected in himself... When Maria Mondmilch named her profession, he lit up.

Fortunately the atrocity was able to be prevented at the last moment. The child, frightened in heart and mind, was placed in the care of the madman's brother, the excellent Moriz von Mondmilch, a first-class administrative officer. The last word of the dying art-historian was, "Maria." A curious affection developed between the uncle and the niece.

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