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And as the last breath of the good spirit of the old burgess-times ere it departed, as the latest fresh growth which the national Latin poetry put forth, the Satires of Varro deserved that the poet in his poetical testament should commend these his Menippean children to every one "who had at heart the prosperity of Rome and of Latium"; and they accordingly retain an honourable place in the literature as in the history of the Italian people.

It is something between a Menippean satire and a Milesian fable, such as had been translated from the Greek long before by Sisenna, and were to be so successfully imitated in a later age by Apuleius. The narrative goes on from incident to incident without any particular connexion, and allows all kinds of digressions.

Just then the Menippean caught me with his monstrous hand and lifted me to the level of his face. "I should like to know," I said, "how you manage to live up here; you are so large and your planet is so little." "Now, you are altogether too inquisitive," replied the giant. "You go!" He stooped down, placed me on the toe of his boot, and drew back his foot to kick me off.

But the grace and humour of the Menippean satires above all, which seem to have been in number and importance far superior to Varro's graver works, captivated his contemporaries as well as those in after times who had any relish for originality and national spirit; and even we, who are no longer permitted to read them, may still from the fragments preserved discern in some measure that the writer "knew how to laugh and how to jest in moderation."

His polemic against the hereditary foes of the genuine Roman spirit, the Greek philosophers, was only a single aspect of this old-fashioned opposition to the spirit of the new times; but it resulted both from the nature of the Cynical philosophy and from the temperament of Varro, that the Menippean lash was very specially plied round the cars of the philosophers and put them accordingly into proportional alarm it was not without palpitation that the philosophic scribes of the time transmitted to the "severe man" their newly-issued treatises.

The Menippean satire was handled by Varro with equal originality of form and contents; the bold mixture of prose and verse is foreign to the Greek original, and the whole intellectual contents are pervaded by Roman idiosyncrasy one might say, by a savour of the Sabine soil.

The only thing witty in it is the title; it is a mixture of prose and verse, and possesses just this interest for us, that it is the only example we possess of the Menippean satire, unless we refer the work of Petronius to this head. Of all the imperial writers except Tacitus, Seneca is beyond comparison the most important.

The Menippean satire was handled by Varro with equal originality of form and contents; the bold mixture of prose and verse is foreign to the Greek original, and the whole intellectual contents are pervaded by Roman idiosyncrasy one might say, by a savour of the Sabine soil.

The fop, the epicure, the warbling poet who gargled his throat before murmuring his recondite ditty, the purist, and above all the mock-philosopher with his nostrum for purifying the world, these are all caricatured by Varro in his pithy, good-humoured way; the spirit of the Menippean satires remained, though the form was changed to one more befitting the grave old teacher of wisdom.

The two philosophico-historical essays "Laelius or concerning Friendship," "Cato or concerning Old Age," which Cicero wrote probably after the model of those of Varro, may give us some approximate idea of Varro's half-didactic, half-narrative, treatment of these subjects. Varros' Menippean Satires