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Updated: May 14, 2025


They were, as a matter of fact, written for theatres in which there were to be not actors but marionettes, singers being engaged to sing the lines out of sight while the puppets depicted the characters. Some of these dramas have, since they were written, been adapted for the ordinary stage and the characters portrayed by Japan's most famous actors.

The pious frauds enacted in the churches lost their wonder when brought into competition with the tricks of the conjurer in the market-place: he breathed flame, walked on burning coals, held red-hot iron in his teeth, drew basketfuls of eggs out of his mouth, worked miracles by marionettes. Yet the old idea of the supernatural was with difficulty destroyed.

Do you think I can afford to waste time upon the road? The wild beasts are a mile ahead, at the very least, and the marionettes will be there by this time. We shall just arrive when all the people have spent their money, and are tired out. Now there was one subject of standing dispute between Toby and his master.

For the fine, glowing fancy of the other man has not appeared in his book, and to the eye of the fellow-craftsman only the mechanism is there. Mask-like, the author stands behind his Punch-and-Judy box, twitching the strings that move his marionettes, heedless of the fact that in his audience there must be a few who know him surely for what he is.

If we can once make up our minds to bear with this, we shall not unfrequently be richly recompensed in comic drollery; even in the choice of a melody, and the allusion to the common and well-known words, there is often a display of wit. In earlier times writers of higher pretensions, a Le Sage and a Piron have laboured in the department of the vaudeville, and even for marionettes.

Then with a sudden violent start she picked up one of the volumes and looked at it closely. The title stood out with arresting clearness on the white paper jacket: Gold of the Desert by Dene Strange. Author of The Valley of Dry Bones, Marionettes, etc. She caught her breath. Something sprang up within her something that clamoured grotesque and incoherent things.

There is Hermann Sudermann, for example, the precise antipodes of Wedekind Sudermann, the inexhaustible bottle of the German theatre, the conjurer who imperturbably pours out any flavour, colour, or liquid you desire from his bottle; presto, here is Ibsen, or Dumas, or Hauptmann, or Sardou; comedy, satire, tragedy, farce, or the marionettes of the fashionable world!

There were some old women amongst them who looked more like shrivelled monkeys than human beings; extraordinary anatomical specimens, whose muscles, working as they ran, were as visible as though no skin covered them. There were young women, young children, and women far advanced in pregnancy; and they all went by like automatic figures, clockwork marionettes.

After that no doubt the kings and queens will hear of me, and will send for me to play before them, and I shall become rich. Then I shall come home and marry you. Grendel thought her lover the most wonderful man in the world, and it is the truth he was very clever; she kissed him a hundred times, and the little marionettes also.

After seeing a ballet, a farce, and the fragment of an opera performed by the marionettes at the Costanzi Theatre in Rome, I am inclined to ask myself why we require the intervention of any less perfect medium between the meaning of a piece, as the author conceived it, and that other meaning which it derives from our reception of it.

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