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An enthusiastic climber up the rugged mountain paths of the art she had elected to serve ... an earnest volunteer in the almost forlorn cause of the poetical drama: a believer in the past, not merely because it is past, but because in it was embodied much of the beautiful and the hopeful that has been lost to us, Miss Mary Anderson was assured an honest greeting at a theater of cherished memories.... It has been said that the friends of Miss Anderson were very ill-advised to allow her to appear as Parthenia in the now almost-forgotten play of 'Ingomar. We venture to differ entirely with this opinion.

The wind tore round the house and made a frantic rush at the front door, and from his couch of skins in the inner room Ingomar, the barbarian, snored peacefully. "Of course she always found a protector from insult and outrage in the great courage and strength of her husband?" "Oh, yes; when Ingomar was with her she feared nothing. But she was nervous and had been frightened once!" "How?"

She is an eminently good, but not a great artist." Daily Telegraph, 3rd September, 1883. "There was a natural desire to see, nay, rather let us say to welcome Miss Mary Anderson, who made her debut as Parthenia in 'Ingomar' on Saturday evening last. The fame of this actress had already preceded her.

Parthenia ran with the faded baby to awaken Ingomar, and almost simultaneously the gallant expressman stood again before me, addressing me by my Christian name, and invited me to drink out of a mysterious black bottle.

Miss Faucit was more statuesque in her poses, more classical, and, perhaps, touched occasionally a more profoundly pathetic chord. But the balance is redeemed by other qualities of Miss Anderson's acting, quite apart from all consideration of personal beauty. "'Ingomar, it must be said, is a mere melodrama, and as such does not afford the highest test of an actor's capacity.

The evenings were beginning to be cool, and occasionally she enticed him after nightfall into the room he had called her boudoir. She drew the blinds and played the infinitely varied game of love with him. She asked him to name some splendid lover, some famous courtier. Ingomar? Very well, he should be Ingomar.

Ingomar had taken Parthenia back to the mountains, and kept a hotel for the benefit of the Alemanni, who resorted there in large numbers. Poor Parthenia was pretty well fagged out, and did all the work without "help." She had two "young barbarians," a boy and a girl. She was faded, but still good-looking.

It was noticed in the next act that Ingomar had a linen duster on, and Mary snoze no more. There was another mean trick played on a comedian a short time ago. In one of the plays he comes into a room as a tramp, and asks for something to drink. There is nothing to drink, and he asks if he may drink the kerosene in the lamp, which is on the table unlighted.

That night we put on 'Virginius, and played to eight hundred dollars; Thursday night, with the 'Lady of Lyons, we had eleven hundred; Friday night, we gave the 'Lady' to twelve hundred; Saturday afternoon with the same piece, we took in eleven hundred and fifty; Saturday night, with 'Ingomar, we had fifteen hundred dollars in the house, and a hundred people standing."

"Last night the young American actress, who has, during the past few months, acquired such great popularity in London, made her first appearance before an Edinburgh audience in the same character she chose for her Metropolitan debut that of Parthenia in 'Ingomar. The piece itself is essentially old-fashioned.