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In 1760 Hasse suffered greatly from the bombardment of Dresden by the Prussians, losing among other property all his manuscripts in the destruction of the opera-house a fact which may partly account for the oblivion into which this once admired composer has passed. The loss was peculiarly unfortunate, for the publication of Hasse's works was then about to commence at the expense of the King.

Arne's "Artaxerxes," which the critics of the day praised as possessing "the beautiful melody of Hasse, the mellifluous richness of Pergolese, the easy flow of Piccini, and the finished cantabile of Sacchini, with his own true and native simplicity."

The Swede, Rudbeck, asserts that Paradise was in Scandinavia; some Russian writers supposed it to have been in Siberia; and the German writers, Hasse and Schulz, on the coast of Prussia. Eastern traditions place it in Ceylon, and regard the mountain of Rahoun as the spot where Adam was buried.

His first opera produced in Dresden was the masterpiece of his life, "Alessandro dell' Indie," and its great success was perhaps owing in part to the splendid singing and acting of Faustina, for whom indeed the music had been carefully designed. As the husband of the most fascinating prima donna of her age, Hasse had no easy time.

The scandalous bickerings and feuds through which she passed made her departure more of a pleasure to herself than to the lovers of music in turbulent London. She returned to Venice in 1728, where she met Adolph Hasse, who was leader of the orchestra at the theatre in which she was engaged.

He turned, and they saw his noble face scarlet with blushes; then arose another storm. Again and again the "vivas" and the clappings were renewed, each time more frantic than before. Hasse, tired of the spectacle of his rival's triumph, had disappeared. Metastasio, more magnanimous, had remained, and applauded as loudly as any.

Let us return from the consideration of Faustina's most brilliant contemporary to Hasse and his wife. We have already seen that this great prima donna retired from the stage in 1753, at the age of fifty-two.

She passed her last years in Bologna, subsisting on a miserable pittance earned by covering buttons. Faustina married Adolphe Hasse, the German dramatic composer, and at forty-seven sang before Frederick the Great, who was charmed with the freshness of her voice. The couple lived until 1783, the one eighty-three, the other eighty-four years of age. Dr.

The following anecdote does equal credit to Hasse's heart and penetration: In after-years, when he had left England, he was again sent for to take Handel's place as conductor of opera and oratorio. Hasse inquired, "What! is Handel dead?" On being told no, he indignantly refused, saying he was not worthy to tie Handel's shoe-latchets. There are also Dr. Pepusch, the Anglicized Prussian, and Dr.

The two advanced arm in arm toward the railing, and, at their appearance, a storm of applause arose from the parterre, while the partisans of the Italian school cried; "Long live Hasse! Long live Metastasio!" They bowed and took their seats. While this was transpiring, the wife of Gluck entered her box. With a quiet smile she listened to the shouts that greeted her husband's rivals.