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If the fourth gospel is held to be of apostolic origin and trustworthy, the task of the harmonist is chiefly that of combining these two records of Mark and John. The first three gospels contain indications that Jesus must have visited Judea before the close of his life. They give no hint, however, of the time or circumstances of such earlier Judean labor.

Among other important compositions of his are a symphonic cantata, "The Auditorium Festival Ode," sung at the dedication of the Chicago Auditorium by a chorus of five hundred; sketches for orchestra, a piano concerto, organ music, and songs. As is shown by the two or three vocal works of his that I have seen, Gleason is less successful as a melodist than as a harmonist.

They sat there to the number of twenty, half naked many of them, and not a bit ashamed; with carpet-bags or without; with clean or dirty faces and clothes as it might happen; but all hungry, as I presently saw, when a table was drawn out, about which they gathered, giving their names to be taken down on a register, while to them came a Harmonist brother with a huge tray full of tins filled with coffee, and another with a still bigger tray of bread.

This was the simple explanation I received from a Harmonist, when I wondered whether some family or person would not be wasteful or greedy. In the season, all the people who are not too old labor more or less in the fields and orchards. This is their habit, and is thought healthful to body and soul. The Harmonists have usually attained a hale and happy old age.

And he who mingles music with gymnastic in the fairest proportions, and best attempers them to the soul, may be rightly called the true musician and harmonist in a far higher sense than the tuner of the strings. You are quite right, Socrates. And such a presiding genius will be always required in our State if the government is to last. Yes, he will be absolutely necessary.

Style, character, paint quality, vision of the beautiful? Why not come out plumply with the truth: Velasquez is the supreme harmonist in art. No one ever approached him in his handling save Hals, and Hals hardly boasts the artistic inches of Velasquez. Both possessed a daylight vision of the world.

Puvis is by no means a virtuoso. His pace is usually andante; but he knows how to evoke a mood, summon the solemn music of mural spaces. His is a theme with variations. The wall or ceiling is ever the theme. His crabbed fugues soon melt into the larger austere music of the wall. His choral walls are true epopées. He is a master harmonist. He sounds oftener the symphonic than the lyric note.

Because it is a simpler matter to tell the truth than casuists admit I shall preface this little sermon on three hallucinated painters by a declaration of my artistic faith. I believe in Velasquez, Vermeer, and Rembrandt; the greatest harmonist, the greatest painter of daylight, and the profoundest interpreter of the human soul Rembrandt as pyschologist is as profound as Beethoven.

The Wagnerian leit-motif idea is adopted in this and other works of his, and the chief objection to his writing is its too great fidelity to the Wagnerian manner, notably in the use of suspensions and passing-notes, otherwise he is a very powerful harmonist and an instrumenter of rare sophistication.

So this "musical parallel," interesting and reasonable as it is, will not carry the color harmonist very far, and if followed too literally it is even likely to hamper him in the higher reaches of his art, for some of the musical dissonances are of great beauty in color translation.