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Updated: May 17, 2025


The work into which he threw all his genius was the dramatization of the history of the imperial knight of the Middle Ages, Gottfried or Goetz von Berlichingen. The immediate cause of this enterprise was his enthusiasm for Shakespeare. After reading him he felt, he said, like a blind man who suddenly receives his sight.

TERZKY. Nay, nay, first come, first served. There is no precedence here. TERZKY watches him at some distance. Noble count! with your permission good-night. TERKZY. Where's the hurry? Come, one other composing draught. Ho! GOETZ. Excuse me aint able. TERZKY. A thimble-full. GOETZ. Excuse me. Pardon me, nobles! This standing does not agree with me. TERZKY. Consult your own convenience, general.

'Goetz von Berlichingen' had won its way into favor as a book for the reader. The dramatic works of Klinger, Lenz, Wagner and the like, were for the most part too extravagant and amorphous for representation, and Shakspere's day had not yet come.

On the very first onset, the left wing, which Goetz, the general of the League, had entangled in a disadvantageous position among marshes and thickets, was totally routed; the general, with the greater part of his men, killed, and almost the whole ammunition of the army taken. This unfortunate commencement decided the fate of the day.

As for the robber chief Goetz, while he is said by several historians to have received a sentence of life imprisonment, Menzel states that he was retained in prison for two years only. In Thuringia, as we have said, the revolt was a religious one, it being controlled by Thomas Münzer, a fanatical Anabaptist.

Cornelius and Goetz would have been the first to admit the influence which Wagner's works exercised upon their imagination, yet their admiration for his music never seduced them into anything like mere imitation. The operas of Carl Goldmark are founded far more directly upon the methods and system of Wagner. Yet it would be unjust to dismiss him as a mere plagiarist.

The idea of writing Faust seems to have come to Goethe in his earliest manhood. He was brooding over it at the same time with Goetz von Berlichingen. Faust justly stands at the head of all Goethe's works. Founded on a well-known popular tale, indebted for its interest and pathos to incidents of universal experience, it deals with the deepest problems which can engage the mind of man.

WALLENSTEIN. Isolani! TERZKY. Him thou hast sent away. Yes, surely. TERZKY. No? Hast thou not sent him off? Nor Deodati? They are vanished, both of them. To them enter ILLO. ILLO. Has Terzky told thee? TERZKY. He knows all. ILLO. And likewise That Esterhatzy, Goetz, Maradas, Kaunitz, Kolatto, Palfi, have forsaken thee. TERZKY. Damnation! Hush! Terzky! Heaven! What is it? What has happened?

The violence of the first impression, which began with the affair of the necklace, had reached a climax in '90 and '91, and this, along with the ineffaceable memories of the Werther and Goetz period, which his heart remembered when in his intellectual development he had left it far behind, accounts in a large measure for his yielding temporarily at least to the spell of Napoleon's genius, and for the studied but unaffected indifference to German politics and to the War of Liberation.

After a third attempt of general Goetz for the relief of Breysach had proved ineffectual, the fortress, reduced to the greatest extremity by famine, surrendered, after a blockade of four months, on the 17th December 1638, to its equally persevering and humane conqueror.

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