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Having finished this work in the Campo Santo, he painted many stories of S. Bartholomew, S. Andrew, S. James, and S. John, the Apostles, in a chapel in S. Francesco, which is the second from the principal chapel, and perchance he would have remained longer at work in Pisa, since in that city his works were known and rewarded; but seeing the city all in confusion and uproar by reason of Messer Pietro Gambacorti having been slain by the Lanfranchi, citizens of Pisa, he returned once again with all his family, being now old, to Florence, where, in the one year and no more that he stayed there, he made many stories of the lives and deaths of S. Philip and S. James in the Chapel of the Macchiavelli in S. Croce, dedicated to those Saints; and as for the panel for the said chapel, being desirous to return to Arezzo, his native city, or, to speak more exactly, held by him as his native city, he wrought it in Arezzo, and from there sent it finished in the year 1400.
Then Florence purchased Volterra, over the head of Pisa as it were; and at last, careless whether it pleased the Pisans or no, she permitted the Gambacorti to make raid upon Pisan territory, and allowed Giovanni di Sano, who had lately been in her service, to seize a fortress in the territory of Lucca. The peace was broken.
This brought him many enemies; and, indeed, the city was in uproar for some years: for, while he was so young, Dino della Rocca acted for him. Among the more powerful enemies of della Rocca was Andrea Gambacorti, whose family was soon to enslave the city. Now the one party was called Bergolini, for they had named Raniero Bergo for hate, and of these Gambacorti was chief.
Under him Pisa seemed to regain something of her old confidence and prosperity. A man of fine courage, simplicity, and passing honest, he was incapable of suspecting a tried friend whom he had benefited. Yet it was by the hand of such an one he fell. Jacopo d'Appiano's father had been exiled with Gambacorti in 1348.
The city blazed with their arson every night, till at last the people rose and expelling the Raspanti, chose Andrea Gambacorti for captain. This happened in 1348. Seven years later, Charles IV, on his way to Rome to be crowned, came to the city.
Starnina having then finished, as it has been said, the Chapel of the Pugliesi, and the Florentines being greatly pleased with the stories of S. Jerome that he made there, by reason of his having represented vividly many expressions and attitudes that had never been depicted up to that time by the painters who had lived before him, the Commune of Florence in the year when Gabriel Maria, Lord of Pisa, sold that city to the Florentines at the price of 200,000 crowns, after Giovanni Gambacorti had sustained a siege of thirteen months, and had at last agreed to the sale caused him to paint in memory of this, on the façade of the Palace of the Guelph party, a picture of S. Dionysius the Bishop, with two angels, and below him the city of Pisa, portrayed from nature; in which work he used so great diligence in everything, and particularly in colouring it in fresco, that in spite of the air, the rains, and its being turned to the north, it has always remained and still remains at the present day a picture worthy of much praise, by reason of its having been preserved as fresh and beautiful as though it had only just been painted.
They put themselves at the head of the people, who slew one hundred and fifty of Charles's Germans, and held Charles himself a prisoner in the Duomo, where he lodged since the Palazzo Comunale had been fired. Montescudaio, however, secretly joined Charles with his men; he burnt the houses of the Gambacorti and dispersed the mob. Apparently Lucca was free.
To the south of the bridge is the Loggia dei Banchi, and farther to the west, on the Lung' Arno, the great palace of the Gambacorti rises, now the Palazzo del Comune, and farther still, the Madonna della Spina, a little Gothic church of marble; while if you pass a little way westward, the Torre Guelfa comes into sight at the bend of the river among the ruins of the old arsenal.
I know not when first it was made, nor who first conceived the proud thought, nor what particular victory put it into his heart. Only the tyrant and thief who stole it I know, Gambacorti, whom Pisa brought back from exile.
At that moment all feuds were forgotten; a united city opposed the Florentines: there was but one way to take it by famine. And it was thus at last, on 9th October 1406, Pisa fell. Preferring to die rather than to surrender, it would have been into a city of the dead that the armies of Florence would have marched, but for the brutal treachery of Giovanni Gambacorti.
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