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Updated: May 29, 2025
There is character in spectacles the pretentious tortoiseshell, the meek pince-nez of the school teacher, the twisted silver-framed glasses of the old villager. Babbitt's spectacles had huge, circular, frameless lenses of the very best glass; the ear-pieces were thin bars of gold.
Barrow took a frameless oil portrait a foot square from the box, set it up in a good light, without comment, and reached for another, taking a furtive glance at Tracy, meantime. The stony solemnity in Tracy's face remained as it was, and gave out no sign of interest. Barrow placed the second portrait beside the first, and stole another glance while reaching for a third.
The click of the soapstone pencil upon the frameless slate, the scratch of the quill pen across the bespattered copybook, the shrill tone of the solitary reader as he stood with the rest of the class "toeing the mark" before the master, or the shriller tones of the arithmetic class reciting in concert the multiplication table, kept up a pleasant discord throughout the short day.
In the centre of a long mud wall, ventilated by certain attempts at frameless windows, guarded by rough wooden bars, we perceived a large archway with closed doors; above this entrance was a shield, with a device that gladdened my English eyes: there was the British lion and the unicorn!
Benedetta and her companions passed through two large rooms, bossy with plaster under foot and having frameless windows wide open upon space; and at last they reached a third room, where the whole Gozzo family had installed itself with the remnants it used as furniture. On the floor, where the bare iron girders showed, no boards having been laid down, were five or six leprous-looking palliasses.
One of her visions in particular shows into what a state of religious exaltation she could be thrown. She imagined herself a frameless mirror of infinite size, with Christ shining in the middle of it, and the mirror itself, she knew not how, was in Christ!
"Oh, Fred, who are they?" cried Josephine, ecstatically, and she began to dust the seedy, frameless canvases with a reverential air. "Where did they come from?" "They're ancestors of mine, love." "Ancestors? How lovely, Fred! I didn't know you had any. I mean I didn't know you had any who had their portraits painted."
He was, to the eye, the perfect office-going executive a well-fed man in a correct brown soft hat and frameless spectacles, smoking a large cigar, driving a good motor along a semi-suburban parkway. But in him was some genius of authentic love for his neighborhood, his city, his clan. The winter was over; the time was come for the building, the visible growth, which to him was glory.
A lot of studies of animals were stuck against the walls, and a couple of finished pictures a lioness with her cubs, and a span of stunning draught-horses stood in one corner, frameless. There was good work in the studies, and the pictures really were capital a fact that Jaune himself recognized, and that made him feel all the more dismal because they so persistently remained unsold.
The old galleried hall, the bare rooms, the neglected pictures among them the "Queen Elizabeth," presented to the owner of Hampden by the Queen herself after a visit; the gray walls of King John's garden, and just beyond it the little church where Hampden lies buried; the deserted library on the top floor, running along the beautiful garden-front, with books in it that might have belonged to the patriot himself, and a stately full-length portrait painted about 1600 which stood up, torn and frameless, among lumber of various kinds, the portrait of a beautiful lady in a flowered dress, walking in an Elizabethan garden; the locked room, opened to us occasionally by the agent of the property, which contained some of the ancestral treasures of the house the family Bible among them, with the births of John Hampden and his cousin, Oliver Cromwell, recorded on the same fly-leaf; the black cedars outside, and the great glade in front of the house, stretching downward for half a mile toward the ruined lodges, just visible from the windows all this mingling of nature and history with the slightest, gentlest touch of pathos and decay, seen, too, under the golden light of a perfect summer, sank deep into mind and sense.
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