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Updated: May 21, 2025


The finer characteristics of Italian melody, that easy tunefulness which seems to have sprung naturally and without effort out of the mechanism of the vocal organs, is above all noticeable in the music of his noblest creation, Bruennhilde. The flower-maidens' chorus in Parsifal might be called the apotheosis of Italian song.

But the desire to please mad Ludwig accounts for it all in a very undesirable fashion. Of the music it is not necessary to say more than that some of it is fine. For the most part it lacks virility, though there are passages of marvellous loveliness. The flower-maidens' waltz shows what Wagner could do in that way; the Good Friday music, dating back to the Lohengrin days, is sweet and fresh.

Klingsor calls up Kundry and changes his castle into an enchanted garden full of flower-maidens; Parsifal comes in, and, though curious about the maidens, does not know what they would be at; he angrily drives them off; Kundry calls him.

In horror he casts her from him; Klingsor throws the spear at him the sacred Spear with which Christ's side was wounded, stolen by Klingsor from Montsalvat it remains suspended above his head; he seizes and waves it, and at once garden, flower-maidens and all are reduced to withered stalks and leaves.

The melody of the Flower-Maidens, for instance, in "Parsifal," is borrowed frankly from a tone-poem of Liszt in which it is no more than a thin, rocking melody, without any of the mysterious fascination that Wagner put into it.

The performances over, the world comes away mightily edified, having seen nothing with its own eyes, heard nothing with its own ears, having understood nothing at all; having, in fact, so totally miscomprehended everything as to think "Parsifal" a Christian drama; having been too deaf to realise that the singers were frequently out of the key, and too blind to observe that the scenery in the second act resembled a cheap cretonne, and that many of the flower-maidens were at least eight feet in circumference.

The task is achieved; the spear has been regained, and all nature smiling in its flowery robes rejoices in the redemption of that Easter morning; even the withered flower-maidens add their strains to the universal chorus. How is such a miracle possible? Only by music in organic union with the dramatic situation.

Lyautey with friendly simplicity, made the proper speeches to her companions, and then, with the air of the business-man who has forgotten to give an order before leaving his office, he walked up to a corner of the room, and while the flower-maidens ruffled about him, and through the windows we saw the last participants in the mystic rites galloping away toward the crenellated walls of Rabat, his Majesty the Priest and Emperor of the Faithful unhooked a small instrument from the wall and applied his sacred lips to the telephone.

We are nearer life lying by a shady brook, hearing the quail in the meadows and the yellow-hammer in the thicket, than we are now, under this oppressive sky. This street is like Klinsor's garden; here, too, are flower-maidens patchouli, jessamine, violet. Here is the languorous atmosphere of "Parsifal."

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