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Updated: May 4, 2025
It is hard to imagine the master-dramatist of the world—it is hard to imagine the poet who, by setting his foot upon allegory, saved our poetry from drying up after the invasion of gongorism, euphuism, and allegory—it is, we say, hard to imagine Shakespeare, if he had conceived and written such lovely episodes as those of the ‘Idylls of the King,’ so full of concrete pictures, setting about to turn his flesh-and-blood characters into symbolic abstractions.
The story of the French in Acadia, from the days of De Monts and Poutrincourt, until the beginning of the eighteenth century when it became an English possession, is at most only a series of relatively unimportant episodes in the history of that scheme of conquest which was planned in the eighteenth century in the palace of Versailles and in the old castle of St.
His one chance, actually. The poor devil! Kitty had the right idea. It was a mighty fine thing, these times, to be a citizen under the protection of the American doctrine. Three hundred thousand! And Karlov had got that along with the drums. The devil's own for luck! The fool would be able to start some fine ructions with all that capital behind him. Episodes in the night.
We have now come to a strange chapter of Canadian history, which has its picturesque aspect as well as its episodes of meanness, cupidity, and inhumanity. As we look back to those early years of Acadian history, we see rival chiefs with their bands of retainers engaged in deadly feuds, and storming each other's fortified posts as though they were the castles of barons living in mediaeval times.
Between the dates of these two terrible events the Florentines had won the great victory of Campaldino; and thus, in this short space, the materials had been given to the poet for the two best-known and most powerful stories and for one of the most striking episodes of the "Divina Commedia." In the great and hard-fought battle of Campaldino Dante himself took part.
To follow these swiftly passing episodes, occasionally glancing behind the scenes, during the pauses of the acts, and watch the unfolding of the world-drama, was thrillingly interesting.
It was a long afternoon crowded with mad episodes that rose and dissolved like the dust of our wheels; cross-sections of remote and incomprehensible lives through which we raced at right angles; and I went home in the dusk, wearied out, to dream of the clashing horns of cattle; round-eyed nuns walking in a garden of graves; pleasant tea-parties beneath shaded trees; the carbolic-scented, grey-painted corridors of the County Institute; the steps of shy children in the wood, and the hands that clung to my knees as the motor began to move.
On the other hand, the work discloses Parker's weaknesses as well, for the libretto drags in certain love episodes evidently thought desirable for the sake of contrast and yet manifestly unnecessary to the story. The character of the queen, for instance, is quite useless, and, in fact, disconcerting.
The makings of romance are in the story, and are well used. There are episodes of excellent excitement in it; notable amongst these being the race on the Godstone Road, which is done with a swing and passion not easy to overpraise.
Shortly after the incident of the Warhoon eggs we halted to rest the animals, and it was during this halt that the second of the day's interesting episodes occurred. I was engaged in changing my riding cloths from one of my thoats to the other, for I divided the day's work between them, when Zad approached me, and without a word struck my animal a terrific blow with his long-sword.
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