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Updated: May 28, 2025
It is hard to imagine the master-dramatist of the world—it is hard to imagine the poet who, by setting his foot upon allegory, saved our poetry from drying up after the invasion of gongorism, euphuism, and allegory—it is, we say, hard to imagine Shakespeare, if he had conceived and written such lovely episodes as those of the ‘Idylls of the King,’ so full of concrete pictures, setting about to turn his flesh-and-blood characters into symbolic abstractions.
Archaeological knowledge, scenic illusion, gorgeous upholstery, sumptuous costumes, have, in the remembrance of many, been squandered in profusion upon the boards of one of our London theatres in the getting up of a drama by the master-dramatist.
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