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Updated: June 12, 2025
Sganarelle, M. de Pourceaugnac, George Dandin, and the rest our sympathy, somehow, is with them, after all; and M. de Pourceaugnac is a gentleman, despite his misadventures. Though triumphant Youth and malicious Love in your plays may batter and defeat Jealousy and Old Age, yet they have not all the victory, or you did not mean that they should win it.
"Georges Dandin!" he would cry, "curse her! curse her!" But love and misery overpowered these heats, and froze him to stone again. The poor boy pined and pined. His clothes hung loose about him; his face was so drawn with suffering, you would not have known him. He hated company. The things he was expected to talk about! he with his crushed heart. He could not. He would not.
I will just add, however, that Georges Dandin might have existed exactly as Moliere presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism.
"Tu l'as voulu, Georges Dandin!" So it ended in his promising to take the MS. to London with him, and let Lady Kitty know the result of his inquiries. Kitty's dancing step as they returned to the house betrayed the height of her spirits. A rumor flew round the house towards the middle of the day that Harry, the little heir, was worse. Kitty did not appear at luncheon, and the doctor was sent for.
Cheerfully and deliberately Gregory now proceeded to turn the pages of the kodak album, and to point out with painstaking geniality the charms and associations of each view, "Tu l'as voulu, Georges Dandin," expressed his thought, for he didn't believe that Madame von Marwitz, more than any person not completely self-abnegating, could tolerate looking at other people's kodaks.
He had a son, whose name was Tenot Dandin, a lusty, young, sturdy, frisking roister, so help me God! who likewise, in imitation of his peace-making father, would have undertaken and meddled with the making up of variances and deciding of controversies betwixt disagreeing and contentious party-pleaders; as you know, Saepe solet similis esse patri. Et sequitur leviter filia matris iter.
On the other hand, many comedies have a common noun as their title: l'Avare, le Joueur, etc. Were you asked to think of a play capable of being called le Jaloux, for instance, you would find that Sganarelle or George Dandin would occur to your mind, but not Othello: le Jaloux could only be the title of a comedy.
"A Christmas Carol" by Dickens and "The Accursed Prince" by Remizov. Korsh Theatre. "Much Ado about Nothing" by Shakespeare and "Le Misanthrope" and "Georges Dandin" by Moli=8Are. Dramatic Theatre. "Alexander I" by Merezhkovsky. Theatre of Drama and Comedy. "Little Dorrit" by Dickens and "The King's Barber" by Lunacharsky.
There is the same symmetrical repetition in the Ecole des marts, in L'Etourdi, and above all in George Dandin, where the same effect in three tempi is again met with: first tempo, George Dandin discovers that his wife is unfaithful; second tempo, he summons his father and mother-in-law to his assistance; third tempo, it is George Dandin himself, after all, who has to apologise.
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