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Updated: June 19, 2025


In cloisonné, the only manner known to the Greek, Anglo-Saxon, and Celtic craftsmen, the pattern is made upon a gold ground, by little upright wire lines, like filigree, the enamel is fused into all the little compartments thus formed, each bit being one clear colour, on the principle of a mosaic.

But the brown Rookwood will overshadow the Copenhagen, and the multicolored Cloisonné will kill the Iris, and so each piece must have a congenial companion if any. And above all, don't crowd! Bric-a-brac needs breathing room, and individual beauty is lost in the jumbling together of many pieces in a heterogeneous maze of color, which confuses and wearies the eye.

It's a Cloisonné vase, Bill sort of old Dutch blue, or Delft, with some Oriental funny-business on it. I couldn't describe it exactly, but it has some birds and flowers on it. It's about a foot tall and four inches in diameter and sets on a teak-wood base." "Very well, sir. You shall have it."

"It's a solar-plexus retort, just the same," said Carraway, as he shook his head and went to bed. "I think on the 1st of January, if you have no objections, Mrs. Carraway, I will forswear utilitarianism and you may remove the golf-balls from the cloisonné vase as soon as you choose."

"And they must be out-of-doors?" asked Mrs. Perkins. "If I set the cloisonné lamp in the window, it wouldn't do?" "No," said Thaddeus. "They must be out-of-doors." "Well, I hope the nasty old public will stay there too, and not come traipsing all over my house," snapped Mrs. Perkins, indignantly. And then for a little time the discussion of the Mayor's lamps stopped.

It helps one to understand the differences and similarities in enamelled work, to observe the three general forms in which it is employed; these are, the cloisonné, the champlevé, and the painted enamel. There are many subdivisions of these classifications, but for our purpose these three will suffice.

That explained the rugs, Ruth thought, and the vase, of finest Cloisonne, which stood upon the mantel-shelf. It accounted also for the bertha of Mechlin lace, which was fastened to Miss Ainslie's gown, of lavender cashmere, by a large amethyst inlaid with gold and surrounded by baroque pearls. For some little time, they talked of Miss Hathaway and her travels.

Jane came directly to him. She had fallen of late into the habit of consulting him in all her plans, as they both knew very well that she was not at all a capable woman according to the New England idea: she lacked acuteness and knowledge of facts and all the fashionable aptitudes. She had not even cognizance enough of Wagner or cloisonné or old andirons to put her en rapport with her times.

The whole house was, frankly, a place where people did as they chose, and the furniture bore marks of having been used not wisely, but too well. Everything was clean, though not aggressively so. He ascribed the absence of lace curtains to Romeo and the Cloisonne vase to Juliet. The fishing rods in one corner were probably due to both.

The limestone of the country, close-grained and of marble whiteness yet worked with comparative ease with crude implements, had been wrought by cunning craftsmen into bowls and urns and vases of considerable grace and beauty. Into the carved designs of many of these virgin gold had been hammered, presenting the effect of a rich and magnificent cloisonne.

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