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Updated: May 22, 2025
I replied with equal candour; and his bearing during the whole of our interview was dignified, with a slight degree of reserve, expressing more surprise than irritation. I find in some notes written after I left him, this sentence: "I am much mistaken if his mistakes do not chiefly proceed from the mediocrity of his intellect." The situation of M. de Châteaubriand at Ghent was singular.
How really she was "this good Duchess, so French and so Neapolitan at once, half Vesuvius, half school-girl, whom nothing must prevent us from honoring and loving." The chivalric and sentimental rhetoric of the time, the elegies of the poets, the noble prose of Chateaubriand, the tearful articles of the royalist journals, have condemned her to appear forever solemn and sublime.
The three most conspicuous champions of revived Catholicism were De Maistre, De Bonald, and Chateaubriand. The last of them, the author of the Génie du Christianisme, was effective in France because he is so deeply sentimental, but he was too little trained in speculation, and too little equipped with knowledge, to be fairly taken as the best intellectual representative of their way of thinking.
The tender and exquisite coloring of Mme. de Stael and George Sand had a worthy counterpart in that of Chateaubriand or Lamartine. But it is in the moral purity, the touch of human sympathy, the divine quality of compassion, the swift insight into the soul pressed down by The heavy and weary weight Of all this unintelligible world,
Perhaps there is no better illustration of the infectiousness of this conception than in the Historical Studies which Chateaubriand gave to the world in 1831. He had learned much, from books as well as from politics, since he wrote the GENIUS OF CHRISTIANITY. He had gained some acquaintance with German philosophy and with Vico.
In fact, Chateaubriand has immortalized his favorite in the sketch which begins, 'My companion is a big cat, of a greyish red." This ecclesiastical pet was always dignified and imposing in manners, ever conscious that he had been the gift of a sovereign pontiff, and had a tremendous weight of reputation to maintain.
During Jasmin's month at Paris he had been unable to visit many of the leading literary men; but he was especially anxious to see M. Chateaubriand, the father of modern French literature. Jasmin was fortunate in finding Chateaubriand at home, at 112 Rue du Bac. He received Jasmin with cordiality.
LITERATURE IN PARIS. A correspondent of the London Literary Gazette, under date of June 12, says: "I notice reprints, by Didot, of several of the standard works of Chateaubriand; a condensation, by General O'Connor, of his "Monopoly;" a Treatise, by the Bishop of Langres, on the grave question of Church and State; a very interesting and curious work on the forests of Gaul, ancient France, England, Italy, &c.; a volume of the Unpublished Letters of Mary Adelaide of Savoy, Duchess of Bourgogne which throws great light on many of the principal historical events and personages of her time; a charming series of Sketches from Constantinople, entitled "Nuits du Ramazan," by Gerard de Nerval, a popular feuilletoniste; a big volume of the works of St.
The new spirit had animated the prose of Chateaubriand and the poetry of Lamartine; but it was the spirit only: the form of both those writers retained most of the important characteristics of the old tradition. It was new wine in old bottles.
The historian evidently decomposes Alexander's power into the components: Talleyrand, Chateaubriand, and the rest but the sum of the components, that is, the interactions of Chateaubriand, Talleyrand, Madame de Stael, and the others, evidently does not equal the resultant, namely the phenomenon of millions of Frenchmen submitting to the Bourbons.
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