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Updated: June 29, 2025
In the first week of May, Julie Le Breton married Jacob Delafield in the English Church at Florence. The Duchess was there. So was the Duke a sulky and ill-resigned spectator of something which he believed to be the peculiar and mischievous achievement of his wife. At the church door Julie and Delafield left for Camaldoli.
So for some four years Giovanni lived a monk at S. Miniato; when, the old Abbot dying, his companions wished to make him their Abbot, but he would not, setting out immediately with one companion to search for a closer solitude. And to this end he went to Camaldoli to consult with S. Romualdo; but even there, in that quiet and ordered place, he did not seem to have found what he sought.
At that time Giorgio Vasari was painting in fresco the upper part of the tramezzo of the Abbey of Camaldoli, and two panel-pictures for the lower part; and, wishing to make about these last an ornament in fresco full of scenes, he would have liked to have Cristofano with him, no less to restore him to the favour of the Duke than to make use of him.
Turning down Via di Pinti to the left, and then to the right along Via Alfani, we pass another desecrated monastery in S. Maria degli Angioli, once a famous house of the monks of Camaldoli.
These men, therefore, having gone to Bologna, where Giorgio had not yet arrived for he was still at Camaldoli, where, having finished the tramezzo, he was drawing the cartoon for a Deposition from the Cross, which was afterwards executed by him and set up on the high-altar in that same place set themselves to prime the said three panels with gesso and to lay on the ground, until such time as Giorgio should arrive.
And in the Chapel of the Madonna in S. Severo, a little monastery of the Order of Camaldoli, in the same city, he painted in fresco a Christ in Glory, and a God the Father with angels round Him, and six saints seated, S. Benedict, S. Romualdo, S. Laurence, S. Jerome, S. Mauro, and S. Placido, three on either side; and on this picture, which was held at that time to be most beautiful for a work in fresco, he wrote his name in large and very legible letters.
I assume the nature of boys of the present day to be similar to that of boys twenty years ago; and if so, I suspect that all these services have added about as much to the growth and strength of their religious principles, as the hundred-and-one paternosters and ave-marias muttered by a monk of Camaldoli for the last half century.
About an hour above the monastery, among the pine trees, is the Sacro Eremo, the Holy Hermitage, where in some twenty separate cells the Hermits of Camaldoli live; for, as their arms go to show, the Order is divided into two parts, consisting of monks who live in community, and hermits who live alone.
In Camaldoli he made a S. Jerome on a wall, which was then much esteemed by the Florentines and celebrated with great praise, for the reason that he made that Saint old, lean, and emaciated, with his eyes fixed on the Crucifix, and so wasted away, that he seems like an anatomical model, as may be seen from a copy of that picture which is in the hands of the aforesaid Bartolommeo Gondi.
They had, of course, a church in common where they were bound to recite the divine office, for this is of the essence of the Rule of S. Benedict, but certain among them and this is the essence of the reform of Camaldoli never quitted their cells, their food being brought to them in their huts, where, if the lecluse were a priest, he said his Mass, assisted by some one close by but not in the same room.
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