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Updated: May 14, 2025


For films of American patriotism to parallel the splendors of Cabiria and Judith of Bethulia, and to excel them, let us have Whitmanesque scenarios based on moods like that of By Blue Ontario's Shore, The Salute au Monde, and The Passage to India. Then the people's message will reach the people at last.

It was indeed not an external technical advance only which led from Edison's half a minute show of the little boy who turns on the hose to the "Daughter of Neptune," or "Quo Vadis," or "Cabiria," and many another performance which fills an evening. The advance was first of all internal; it was an esthetic idea.

The famous Cabiria, a tale of war between Rome and Carthage, by D'Annunzio, is a prime example of a success, where Antony and Cleopatra and many European films founded upon the classics have been failures. With obvious defects as a producer, D'Annunzio appreciates spectacular symbolism. He has an instinct for the strange and the beautifully infernal, as they are related to decorative design.

The two should be shown together in the same afternoon, in the Art Museum study rooms. Caligari is undoubtedly the most important imported film since that work of D'Annunzio, Cabiria, described pages 55 through 57. But it is the opposite type of film. Cabiria is all out-doors and splendor on the Mediterranean scale.

Perhaps the moving picture maker has a twin brother almost as able in music, who possesses the faculty of subordinating his creations to the work of his more brilliant coadjutor. How are they going to make a practical national distribution of the accompaniment? In the metropolitan theatres Cabiria carried its own musicians and programme with a rich if feverish result.

The present writer has seen, here in his home place, population sixty thousand, all the films discussed in this book but Cabiria and The Birth of a Nation. It is a photoplay paradise, the spoken theatre is practically banished. Unfortunately the local moving picture managers think it necessary to have orchestras. The musicians they can secure make tunes that are most squalid and horrible.

As has been discussed in connection with Cabiria, the crisis must be an action sharper than any that has gone before in organic union with a tableau more beautiful than any that has preceded: the breaking of the tenth wave upon the sand. Such remnants of pantomimic dialogue as remain in the main chase of the photoplay film are but guide-posts in the race toward the goal.

It is as though in an art museum there should be a man at the door selling would-be masterly short-stories about the paintings, and a man with a violin playing the catalogue. But for further discourse on the orchestra read the fourteenth chapter. I left Cabiria with mixed emotions. And I had to forget the distressful eye-strain. Few eyes submit without destruction to three hours of film.

But the mistakes of Cabiria are those of the pioneer work of genius. It has in it twenty great productions. It abounds in suggestions. Once the classic rules of this art-unit are established, men with equal genius with D'Annunzio and no more devotion, will give us the world's masterpieces.

S. "You seem to have been lately initiated, and that not at Eleusis merely, nor in the Cabiria, but rather in some Persian or Babylonian mysteries, when you discourse thus of spirits. "Do not ask me, Socrates," said I, "for indeed we have fought a weary battle together ever since sundown last night, and all that I had to say I learnt from you." S. "From me, good fellow?" PHAETHON. "Yes, indeed.

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