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Updated: June 2, 2025


Ibsen's aim in The Vikings was purely theatrical, and not, as in his later dramas, also philosophically symbolic. Wagner's aim in Siegfried's Death was equally theatrical, and not, as it afterwards became in the dramas of which Siegfried's antagonist Wotan is the hero, likewise philosophically symbolic. The two master-dramatists therefore produce practically the same version of Brynhild.

"Oh!" exclaimed Ellen, greatly pleased. "Are you in a position to keep a wife?" He burst out laughing. "You darling! Do you know, I believe I could keep two." She did not laugh. "It's wicked to think that if you did I couldn't divorce you. You'd have to be cruel as well. I heard Brynhild Ormiston say so." He went on laughing. "Well, don't let that hold you back.

Perhaps in no respect is the superior richness and beauty of the Aryan myths more manifest than in this. Brynhild, Urvasi, Medeia, Ariadne, Oinone, and countless other kindred heroines, with their brilliant legends, could not be spared from the mythology of our ancestors without, leaving it meagre indeed.

He went within, and he found Gudrun, his wife, playing with Sigmund, his little son, and he sat beside her and he told her of all that had befallen: how, for the sake of the sworn brotherhood, he had won Brynhild the Valkyrie for Gunnar, and how he had striven with her and had overcome her, and had taken off her finger the ring that he now wore upon his own.

Clinging in anguish to Wotan's knees, she has heard him mutter that were the ring returned to the daughters of the deep Rhine, both Gods and world would be redeemed from that stage curse off Alberic's in The Rhine Gold. On this she has rushed on her warhorse through the air to beg Brynhild to give the Rhine back its ring. But this is asking Woman to give up love for the sake of Church and State.

Then comes the Volsung Siegmund, following his sister bride, who has fled into the mountains in a revulsion of horror at having allowed herself to bring her hero to shame. Whilst she is lying exhausted and senseless in his arms, Brynhild appears to him and solemnly warns him that he must presently leave the earth with her. He asks whither he must follow her.

Now Brynhild had no help but to promise she would be his wife, the wife of Gunnar as she supposed, for Sigurd wore Gunnar's shape, and she had sworn to wed whoever should ride the flames. And he gave her a ring, and she gave him back the ring he had given her before in his own shape as Sigurd, and it was the last ring of that poor dwarf Andvari.

The matron laughed excitedly, as she brushed all stray hairs out of her eyes and tightened her apron for action. "It will become a great boon to her. Since the Englishman's death, she has been no better than a crazy Brynhild. To take her out into the world and entertain her with new sights, it will be the saving of her!

King Giuki had a stepson named Guttorm and he was not bound in the oath that bound Sigurd and the others in brotherhood. After the war they had waged Sigurd spent a whole winter in the hall of the Nibelungs. His heart was full of memories of Brynhild and of longings to ride to her in the House of Flame and to take her with him to the kingdom that King Giuki would have given him.

And thereafter he will go to Hell, rather than to Valhalla. How now can Brynhild, being what she is, choose her side freely in a conflict between this hero and the vassal of Fricka? By instinct she at once throws Wotan's command to the winds, and bids Siegmund nerve himself for the combat with Hunding, in which she pledges him the protection of her shield.

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