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Updated: May 5, 2025
The great line of composers which descended from Bach and Haendel for two centuries has wavered and diminished visibly during the last three decades. The proud tradition seems to have reached a temporary halt in Wagner and Bruckner and Brahms.
His most important work is a suite of symphonies; and it was the fifth symphony of this suite that he conducted at the Strasburg festival. The first symphony, called Titan, was composed in 1894. The construction of the whole is on a massive and gigantic scale; and the melodies on which these works are built up are like rough-hewn blocks of not very good quality, but imposing by reason of their size, and by the obstinate repetition of their rhythmic design, which is maintained as if it were an obsession. This heaping-up of music both crude and learned in style, with harmonies that are sometimes clumsy and sometimes delicate, is worth considering on account of its bulk. The orchestration is heavy and noisy; and the brass dominates and roughly gilds the rather sombre colouring of the great edifice. The underlying idea of the composition is neo-classic, and rather spongy and diffuse. Its harmonic structure is composite: we get the style of Bach, Schubert, and Mendelssohn fighting that of Wagner and Bruckner; and, by a decided liking for canon form, it even recalls some of Franck's work. The whole is like a showy and expensive collection of bric-
it ends with a gracefully delicate answer. The main melody soon recurs and sings with a stress of warm feeling in the cellos, echoed by glowing strains of the horns. Romantic harmonies bring back the solemn air of the prelude with a new counter melody, in precise opposite figure, as though inverted in a mirror, and again the dim moving chords that seem less of Bruckner than of legendary drama.
A. BRÜCKNER. A Literary History of Russia. 1908. 12s. 6d. net. MAURICE BARING. Landmarks in Russian Literature. 1910. 6s. net. The last-named are the best available books in English on Russian literature. The works of the great Russian novelists are now accessible to English readers. Nothing helps one to understand Russia so well as reading the works of Tourgeniev, Tolstoi, and Dostoieffsky.
Maigne firstly, then Brillier, then Bruckner, later on Charmaule, Madier de Montjau, Bastide, and Dulac came to report to us what had passed at the barricade of St. Antoine, the motives which had decided the Representatives present not to await the hour appointed for the rendezvous, and Baudin's death.
"Excuse me," said the head, "I will examine the girls; so Bruckner was concerned in the matter too?" "Very seldom," said I; "Yes, the chief offender is Lainer, the girl whose mother died recently." Then I choked down my tears, and said: "We should never have said a word about these matters unless Anneliese had kept on at us." After that I would not answer any more questions.
Above all, he struck at him as being the head of a party that was spitefully opposed to Wagner and Bruckner and all innovators.
After all we have no business with aught but the music of Bruckner, whatever may have been his musical politics, his vanity, his ill judgment, or even his deliberate partisanship against his betters. But the ideas themselves are unsubstantial; on shadowy foundation they give an illusion by modern touches of harmony and rhythm that are not novel in themselves.
Whatever be the final answer of the mooted question of the greatness of Bruckner's symphonies, there is no doubt that he had his full share of technical profundity, and a striking mastery of the melodious weaving of a maze of concordant strains. The question inevitably arises with Bruckner as to the value of the world's judgments on its contemporary poets.
If "A House of Gentlefolk" and "Fathers and Children" stir no deeper ideas than that in the mind of Professor Bruckner, whose fault is it? One can only pity him.
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