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We don't speak on the first floor as on the fourth; and the wealthy woman seems to have, about her, to guard her virtue, all her banknotes, like a cuirass in the lining of her corset. On leaving the Bovarys the night before, Leon had followed them through the streets at a distance; then having seen them stop at the "Croix-Rouge," he turned on his heel, and spent the night meditating a plan.
The dog-cart was brought to the foot of the steps, and all the parcels being crammed in, the Bovarys paid their respects to the Marquis and Marchioness and set out again for Tostes. Emma watched the turning wheels in silence. Charles, on the extreme edge of the seat, held the reins with his two arms wide apart, and the little horse ambled along in the shafts that were too big for him.
On the evening when the Bovarys were to arrive at Yonville, Widow Lefrancois, the landlady of this inn, was so very busy that she sweated great drops as she moved her saucepans. To-morrow was market-day. The meat had to be cut beforehand, the fowls drawn, the soup and coffee made.
There is something very characteristic of France in the thousands of seeming-widows whom you see clad in becoming weeds. The widow's veil raises the dignity of the Frenchwoman and confirms her piety so that she feels like a Madonna when her husband is dead, and loves to walk like one. Some wear this attire without being widowed it conforms so well to a secret desire. The demure widow so dressed has much charm. There is, however, another and a better type, and that is the Joan of Arc type of young Frenchwoman so often overlooked in a survey of French reality. The new, bright, white marble figure of Joan in the cathedral of Notre-Dame is worth a prayer for France. One has met Joan in life, she is generally sixteen or seventeen, ardent, heroic, romantic, with the poetry of Corneille and Racine upon her lips. She is full of effervescent devotion, impetuous and entirely "pure." What happens to her in modern France it would be difficult to say. The English do not come and burn her for a witch; but English people do not like the type, do not understand it, and generally prefer the insincere Madonnas or the Madame Bovarys of France. But to understand France one must take cognizance of this feminine crusading spirit. Much that is genuine and worth while in France can be associated with the type of Joan. Even in the midst of modern politics one should look for Joan. French aspirations has a grand turn. We think of the French as realists, but they are romanticists. They look back and then look forward. They see events with long black shadows as at sunset. They harangue themselves. In the English people humour comes to chase the romantic away and it will not let us get into a heroic vein. But not so with the French. Their humour is weak. So at school, in books, in inscriptions on statues, in public speeches, you will constantly come upon the heroic, romantic strain, and you will find adjurations to the French people: "Français, élevez vos âmes et vos résolutions
On the evening when the Bovarys were to arrive at Yonville, Widow Lefrançois, the landlady of this inn, was so very busy that she sweated great drops as she moved her saucepans. To-morrow was market-day. The meat had to be cut beforehand, the fowls drawn, the soup and coffee made.
Seeing Lagardy upon the stage, she had a desire to run into his arms, to take refuge in his strength, even as in the incarnation of love, and of saying to him: "Take me, take me away, let us go! thine, thine, with thee are all my ardour and all my dreams!" Léon was with the Bovarys.
The dog-cart was brought to the foot of the steps, and, all the parcels being crammed in, the Bovarys paid their respects to the Marquis and Marchioness and set out again for Tostes. Emma watched the turning wheels in silence. Charles, on the extreme edge of the seat, held the reins with his two arms wide apart, and the little horse ambled along in the shafts that were too big for him.
And you my Benedictine, you are quite alone in your ravishing monastery, working and never going out? That is what it means TO HAVE ALREADY gone out too much. Monsieur craves Syrias, deserts, dead seas, dangers and fatigues! But nevertheless he can make Bovarys in which every little cranny of life is studied and painted with mastery.
On the evening when the Bovarys were to arrive at Yonville, Widow Lefrançois, the landlady of this inn, was so very busy that she sweated great drops as she moved her saucepans. Tomorrow was market-day. The meat had to be cut beforehand, the fowls drawn, the soup and coffee made.
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