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Updated: June 24, 2025


The identification of these excellent men with the project should be a sufficient guarantee of its disinterested character. The efforts made in this country to raise the money $250,000 required to build a suitable pedestal for the statue, are a subject of every day comment, and the failure to obtain the whole amount is a matter for no small degree of chagrin. Who and what is Mr. Bartholdi?

And he began to explain the simple, decisive tests. But she did not listen to him. "I don't care how a vet knows that a hunter's sound. All that I want to be certain about is that he does know it. I don't want to buy hunters on my own hook. Neither do I want to buy jewels on what I know about them. If you know, that's all I care about it. And you must know or old Bartholdi wouldn't trust you.

I accepted under great pressure the invitation to deliver the oration at the unveiling of the Bartholdi Statue of Liberty in New York harbor, because the time was so short, only a few days. Mr. Curtis said to me afterwards: "I was very much surprised that you accepted that invitation. I declined it because there was only a month left before the unveiling.

There were other individuals whose work was inciting many, who have also, perhaps unknown to themselves, helped in this progress. Indeed, I remember many pieces of embroidery, loaned for the Bartholdi Exhibition of 1883, which would have done credit to any period of the art, and each piece undoubtedly had its influence.

My position was on the tug Bartholdi, about 150 feet from and at right angles to the direction of proposed flight. The car was set in motion and the propellers revolved rapidly, the engine working perfectly, but there was something wrong with the launching.

Many years ago a firm at Sioux Falls undertook to manufacture table tops, mantels, pedestals, and various decorative articles out of sections of this agatized wood by cutting them into the desired forms and polishing them. Tiffany and Company, the famous jewellers, also used this material for the base of the beautiful silver testimonial presented to the French sculptor, Bartholdi.

Some thirty years ago, when he was comparatively a young man, I saw, at the Bartholdi exhibition in New York, a picture by this master of these same coryphées, two figures standing together in the flies resting their weary, pink, fishworm legs as they balanced themselves with their hands against the wabbling scenery.

It will be seen, then, that these outdoor colossi of to-day do not afford us much encouragement to believe that Mr. Bartholdi will be able to surmount the difficulties which have vanquished one sculptor after another in their endeavors to perform similar prodigies. Sculpture is perhaps the most difficult of the arts of design.

There was but one attainable place of safety for them; and that the safe of a reputable hotel. He would return to the Bartholdi at once, merely pausing on his way to inquire of the cabmen if they could send their brother-nighthawk to him.

The friendship of individuals, their unselfish devotion to each other, their willingness to die in each other's stead, are the most tender and touching of human records; they are the inspiration of youth and the solace of age; but nothing human is so beautiful and sublime as two great peoples of alien race and language. From "Oration at the Unveiling of the Bartholdi Statue."

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