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Updated: June 4, 2025


The Pacha therefore effected his purpose with a few of his vessels and Barbarigo found himself placed between two fires; his own galley at one time being engaged by no less than eight Turkish vessels.

They had done their work, and took no further part, being too unwieldy to enter into close action. The battle began on the left. Barbarigo, the Venetian admiral, had brought his ships as near the coast as he dared. But Mahomet Sirocco knew the waters better, passed between his ships and the shore, and doubled upon him, bringing the Christian line between two fires.

The fire of these huge floating castles nearly caused a panic among the Turks, but they soon pulled past them, and a general melley ensued. In the Christian left, after a deadly struggle, in which both Barbarigo and Scirocco lost their lives, the Turks were repulsed, and, deprived of their chief, took to the shore, but not before the Christians had lost many galleys and a host of brave men.

Barbarigo was wounded, eight galleys were sent to the bottom, and several were captured. Yet the Venetians, who hated the Turks with a mortal hatred, fought on with unyielding fury. Uluch Ali, on the Christian right, tried the same manœuvre. But he had Andrew Doria, the experienced Genoese, to deal with, and his purpose was defeated by a wide extension of the Christian line.

An ingenious suggestion was made, when the Ariosto was last publicly exhibited, that it might be that Portrait of a Gentleman of the House of Barbarigo which, according to Vasari, Titian painted with wonderful skill at the age of eighteen.

The next palace is the hideous Barbarigo della Terrazza, with a better façade on the Rio S. Polo: now a mosaic company's head-quarters, but once famous for its splendours, which included seventeen Titians, now in Russia; and then the Rio S. Polo and the red Capello Palace where the late Sir Henry Layard made his home and gathered about him those pictures which now, like the Darius, belong to our National Gallery. Next it is the Vendramin, with yellow posts and porphyry enrichment, and then the desolate dirty Querini, and the Bernardo, once a splendid palace but now offices, with its Gothic arches filled with glass. The Rio della Madonnetta here intervenes; then two Don

Travelling by way of Narbonne and Avignon, the ambassador reached Venice a few days after the death of the Doge, Barbarigo, and before a successor had been elected. Brief as was his stay in the city of lagoons, every hour of it was profitably employed.

Venice declined an engagement to begin a fresh war. She hated Ferdinand and Matthias and the whole Imperial brood, but, as old Barbarigo declared in the Senate, the Republic could not afford to set her house on fire in order to give Austria the inconvenience of the smoke.

This later Magdalen, as Vasari says, "ancorchè che sia bellissima, non muove a lascivia, ma a commiserazione," and the contrary might, without exaggeration, be said of the Pitti picture. Another of the Barbarigo heirlooms which so passed into the Hermitage is the ever-popular Venus with the Mirror, the original of many repetitions and variations.

I did not intend to betray myself, but an accident, which I could not avoid, forced me to throw off the mask. Father Barbarigo, belonging to the Convent of the Salutation at Venice, whose pupil I had been in physics, came to pay a visit to the rector, and seeing me as we were coming from mass paid me his friendly compliments.

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