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Updated: May 28, 2025
And then, here are frescoes by Cosimo Rosselli, Andrea del Sarto, under glass too, a Nativity of Christ by Alessio Baldovinetti, not under glass, which seems unfair; and what if they be the finest work of Andrea, since you cannot see them. Within, the church is spoiled and very ugly.
But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups.
With Lippo Lippi I shall play with the children, and talk with Lucrezia Buti at the convent gate; Ghirlandajo will take me where Madonna Vanna is, and with Baldovinetti I shall watch the dawn.
God will forgive you for promising two thousand florins reward to the man who should bring you the head of Dietisalvi, Nerone Nigi, Angelo Antinori, Niccalo Soderini, and twice the money if they were handed over alive; God will forgive you for dooming to the scaffold or the gibbet the son of Papi Orlandi, Francesco di Brisighella, Bernardo Nardi, Jacopo Frescobaldi, Amoretto Baldovinetti, Pietro Balducci, Bernardo di Banding, Francesco Frescobaldi, and more than three hundred others whose names were none the less dear to Florence because they were less renowned; so much far your crimes."
The first figure on the right represents the painter Baldovinetti; next to him, with his hand on his side, Ghirlandajo himself; the third, with long black hair, is Bastiano Mainardi, who painted the Assumption in the Baroncelli Chapel, in the Santa Croce; and the fourth, turning his back, is David Ghirlandajo.
It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending.
Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr.
The great churches of Florence A Dominican cathedral The "Decameron" begins Domenico Ghirlandaio Alessio Baldovinetti The Louvre The S. Maria Novella frescoes Giovanni and Lorenzo Tornabuoni Ruskin implacable Cimabue's Madonna Filippino Lippi Orcagna's "Last Judgment" The Cloisters of Florence The Spanish Chapel S. Dominic triumphant Giotto at his sweetest The "Wanderer's" doom The Piazza, as an arena.
In that strange and lovely place there is nothing more beautiful than that monument under the skyey work of Luca della Robbia, before the faintly coloured frescoes of Alessio Baldovinetti.
Andrea del Sarto again Franciabigio outraged Alessio Baldovinetti Piero de' Medici's church An Easter Sunday congregation Andrea's "Madonna del Sacco" "The Statue and the Bust" Henri IV The Spedale degli Innocenti Andrea della Robbia Domenico Ghirlandaio Cosimo I and the Etruscans Bronzes and tapestries Perugino's triptych S. Mary Magdalene de' Pazzi "Very sacred human dust".
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