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Updated: June 14, 2025


The pilasters were painted light green and gilded in the cornices, while, surmounting the architrave, were three little statues one held a torch, another a bow, and a third a bag; they were therefore rumoured, I know not with what justice, to be the artistical representatives of Hymen, Cupid and Fortune.

But why do I dally over describing all the details? After the column, there was brought up on a car a very ingenious piece of architrave with frieze and cornice, composed in like manner so well and of so many different viands, that to attempt to describe them all would make too long a story.

I sipped my coffee in disgust with myself. All the time, while trying to persuade myself that Isaacs was only a very successful schemer, neither better nor worse than other men, I was conscious of the face that would not be banished from my sight. I saw the beautiful boyish look in his deep dark eyes, the gentle curve of the mouth, the grand smooth architrave of the brows. No I was a fool!

However, this was quite in keeping with the larger and more pretentious character of the former. The entablature is a positive triumph in cornice, frieze and architrave.

§ XV. Therefore, to determine the general rule for shaft decoration, we must ascertain the proportions representative of the mean bulk of shafts: they might easily be calculated from a sufficient number of examples, but it may perhaps be assumed, for our present general purpose, that the mean standard would be of some twenty feet in height, by eight or nine in circumference: then this will be the size on which decoration is most difficult and dangerous: and shafts become more and more fit subjects for decoration, as they rise farther above, or fall farther beneath it, until very small and very vast shafts will both be found to look blank unless they receive some chasing or imagery; blank, whether they support a chair or table on the one side, or sustain a village on the ridge of an Egyptian architrave on the other.

This again, two diameters in height, was divided into architrave, frieze, and cornice. But the great beauty of the temple was the portico in front, a forest of columns, supporting the pediment, about a diameter and a half to the apex, making an angle at the base of about 14 degrees.

A great bonfire had been kindled and above the multitude, on a colossal architrave fallen at one end from the giant columns that had supported it, stood a figure, redly illuminated by the fire, tiny as compared to the immense ruin of its high place, but Titan in its control over the wild mob below it.

Below, the upper fascia of the architrave is enriched in accord with the Adam spirit. Drillings forming festoons with a tiny ornament above alternate with groups of seven vertical dotted lines. The fireplace opening has been closed up with stone slabs to inclose a Franklin stove for burning coal, the effect being much the same as a hob grate.

Already its silver rays fell upon the ruins of Karnak; upon the thickets of lotus columns; upon solitary gateways that now give entrance to no courts; upon the sacred lake, with its reeds, where the black water-fowl were asleep; upon sloping walls, shored up by enormous stanchions, like ribs of some prehistoric leviathan; upon small chambers; upon fallen blocks of masonry, fragments of architrave and pavement, of capital and cornice; and upon the people of Karnak those fascinating people who still cling to their habitation in the ruins, faithful through misfortune, affectionate with a steadfastness that defies the cruelty of Time; upon the little, lonely white sphinx with the woman's face and the downward-sloping eyes full of sleepy seduction; upon Rameses II., with the face of a kindly child, not of a king; upon the Sphinx, bereft of its companion, which crouches before the kiosk of Taharga, the King of Ethiopia; upon those two who stand together as if devoted, yet by their attitudes seem to express characters diametrically opposed, grey men and vivid, the one with folded arms calling to Peace, the other with arms stretched down in a gesture of crude determination, summoning War, as if from the underworld; upon the granite foot and ankle in the temple of Rameses III., which in their perfection, like the headless Victory in Paris, and the Niobide Chiaramonti in the Vatican, suggest a great personality that once met with is not to be forgotten: upon these and their companions, who would not forsake the halls and courts where once they dwelt with splendor, where now they dwell with ruin that attracts the gaping world.

The accompanying photograph shows well the dado effect secured by a surbase and skirting, and one notes with interest the cornice with its prominent modillions and the heavy plinth blocks on which the architrave casings of the doors stand.

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