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Updated: June 25, 2025
There was, for instance, the Cardinal Grimani, who begged Erasmus to share his life ... and books. And there was Aldus Manutius. We get a glimpse of the Venetian printing-house when Aldus and Erasmus worked together: Erasmus sitting writing regardless of the noise of printers, while Aldus breathlessly reads proof, admiring every word.
H.W. Bellows has resigned the editorship of The Christian Enquirer, which he has conducted with distinguished ability, we believe from its commencement. Miss Cooper, a daughter of the great novellist, has been announced in London as the author of "Rural Hours," a volume to be published in two or three weeks by Bentley, and by our Aldus, Mr. Putnam.
The later renown of Grolier must rest on the fact that he invented a new taste. It would have been nothing to buy a few thousand Aldine books, even if the collection included all the first editions, the papers of all sizes, the copies with uncut edges, and specimens of the true misprints. The family of Aldus had a large library of this kind, which was dispersed at Rome by its inheritor in the third generation; but it never attracted much attention, and was generally believed to have been merged in a collection at Pisa. Grolier introduced a fashion depending for its success on a multiplicity of details. He bought books out of large editions just issuing from the press; but he chose out the specimen with the best printing, and the finest paper, if vellum were not forthcoming. The condition was perfect. Like the Count Macarthy he would have no dust or worm-holes: he was as microscopic in his views as the most accurate Parisian bibliophile. The binding was in the best Italian style: a general sobriety was relieved by the brilliancy of certain effects, by the purity of the design, perhaps above all by the perfection of the materials. The book was an object of interest, for its contents, or for historical or personal reasons; but it had also become an objet d'art, like a gem or a figure in porcelain. Grolier preserved his dignity as a bibliophile, and his true followers have not degenerated into collectors of bric-
Printing presses were erected at Rome in 1466, and book-publishing speedily became an honorable and lucrative business in every large city. Thus, at the opening of the sixteenth century, the scholarly Aldus Manutius was operating in Venice the famous Aldine press, whose beautiful editions of the Greek and Latin classics are still esteemed as masterpieces of the printer's art.
The feature of the later epoch is the number of Greek editions which came out to supplant the versions in common use. The credit for this advance in critical scholarship must be given to Aldus for his Greek Aristotle, which appeared in 1495-9; and he subsequently led the way with numerous texts of the Greek classics. At the same time he proposed to apply the same principle to Biblical study.
When in September 1508, the edition of the Adagia was ready, Aldus wanted Erasmus to remain in order to write more for him. Till December he continued to work at Venice on editions of Plautus, Terence, and Seneca's tragedies. Visions of joint labour to publish all that classic antiquity still held in the way of hidden treasures, together with Hebrew and Chaldean stores, floated before his mind.
Aldus was correcting proofs and thought his visitor was one of those inquisitive people by whom he used to be pestered. When he turned out to be Erasmus, he welcomed him cordially and procured him board and lodging in the house of his father-in-law, Andrea Asolani. Fully eight months did Erasmus live there, in the environment which, in future, was to be his true element: the printing-office.
The boldest preface-liar was Aldus Manutius, who, having printed an edition of Aristophanes, first published in the preface that Saint Chrysostom was accustomed to place this comic poet under his pillow, that he might always have his works at hand.
Very much his friends, likewise, were Sannazzaro, Budé, and Aldus Manutius, with all the Academy of Rome; and he had a disciple in Julius Cæsar Scaliger, one of the most learned men of our times. Finally, being very old, he died, but precisely at what time and in what place this happened, and consequently where he was buried, is not known.
The life of Fox recalls, in its brilliant activity, in its no less brilliant scholarship, the dazzling careers of some of those Italian princes who were equally at home and equally distinguished in the battlefield and in the library, equally happy in handling their weapons or in turning the pages of the latest volume from the presses of Aldus that renewed the youth of some masterpiece of Greece or Rome.
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