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The first is from Wordsworth, and may be recited before the Madonna di San Sisto: The third is a passage from Robert Browning, which appears to me to sum up the moral ideal:

At this time Lucretia was not in her palace in the Vatican. June 4th she had gone to the convent of S. Sisto on the Appian Way, thereby causing a great sensation in Rome. Her flight doubtless was in some way connected with the forced annulment of her marriage.

Reached Erfurt at two in the morning. Monday, August 15. Erfurt to Eisenach by eight. Drove to the Wartburg. I went to Dresden as an art-pilgrim, principally to see Raphael's great picture of the Madonna di San Sisto, supposing that to be the best specimen of his genius out of Italy. On my way I diligently studied the guide book of that indefatigable friend of the traveller, Mr.

Forced back for a while from their front line trenches, after a prolonged and intense bombardment and by an overwhelming superiority of numbers, they never even fell back to their support line. But, turning on the enemy who was advancing along and astride the San Sisto road, they drove him back and re-established their own front line within six hours of the first attack.

'I saw all that was worth seeing in Dresden, and well worth the journey it was, if it had only been to look at the face of the Madonna di San Sisto, which I think surpasses anything I have seen in nature. It has left a deep remembrance on my mind, the copy here conveys only an idea of the original.

It was not that she had any hope that the Duca di San Sisto would love her: but, at least, it had not been proposed to him to love her, and found impossible by him to do so. At least the unloving husband would not be the one man whom she felt she might have loved had he deemed it worth his while to ask her love.

Yesterday I crossed the Ponte Sisto, and took a short ramble on the other side of the river; and it rather surprised me to discover, pretty nearly opposite the Capitoline Hill, a quay, at which several schooners and barks, of two or three hundred tons' burden, were moored.

Every subject seemed to excite Guy to a dangerous extent, as Laura thought, and she turned to Philip to ask if he would not read to them again. 'I brought this book on purpose, said Philip. 'I wished to read you a description of that print from Raffaelle you know it the Madonna di San Sisto? 'The one you brought to show us? said Amy, 'with the two little angels?

The same Rocco painted many pictures of Our Lady, and made many portraits, of which there is no need to speak; I will only say that in the Sistine Chapel in Rome he painted portraits of Girolamo Riario and of F. Pietro, Cardinal of San Sisto.

He painted the portrait of a lady, which is still seen in the Pitti Palace, from whose face he drew the lacking halo of awe and sublimity. He idealized this woman's face, and the San Sisto came to satisfy all one can imagine about the Madonna. But the face of Christ! Who shall paint it satisfactorily? No one. This is something beyond the region of art.