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Updated: June 7, 2025
The tragedy was not to be a monument to a mere dream of felicity or to his artistic despair, but a tribute to a consuming passion for Mathilde Wesendonck, wife of a benefactor who had given him an idyllic home at Triebschen, on the shore of Lake Lucerne. Mme. Wesendonck was the author of the two poems "Im Treibhaus" and "Traume," which, with three others from the same pen, Wagner set to music.
When he was in sore straits and had not where to lay his head, he went to Zürich, and Mr. Wesendonck rented to him for next to nothing a little châlet. There he dreamed out the second and third acts of 'Tristan und Isolde, and succeeded in deeply interesting Mrs. Wesendonck in them.
At the feast, a dispute arose about Heinrich Heine, with respect to whom Liszt made all sorts of insidious remarks. Frau Wesendonck responded by asking if he did not think Heine's name as a poet would, nevertheless, be inscribed in the temple of immortality. 'Yes, but in mud, answered Liszt quickly, creating, as may be conceived, a great sensation.
Wesendonck acceded to my wishes without demur, and was ready to buy out each of the completed portions of my work in turn for about the same sum as it was reasonable to suppose a publisher would pay for it later on. I was not able to fix my departure, which took place on the 7th of September, when I went for a three days' visit to my friends in Zurich.
Herr Otto Wesendonck, who was a few years younger than I was, had amassed a considerable fortune through a partnership in a silk business in New York, and seemed to make all his plans subservient to the wishes of the young wife whom he had married a few years before. They both came from the Lower Rhine country, and, like all the inhabitants of those parts, were fair haired.
When this came to my knowledge, I could do nothing but announce to Frau Wesendonck my immediate departure from Switzerland, and request her in the kindest possible way to consider herself relieved of all anxiety about me, as I had arranged my affairs quite in accordance with my wishes. I heard later that she had returned this letter which, possibly, she considered compromising to Mme.
As I was returning from a walk I met Herr Wesendonck and his wife in their carriage just starting for a drive. I noticed her troubled demeanour in contrast to the peculiarly smiling and contented expression of her husband. I realised the position clearly when I afterwards met my wife looking wonderfully cheerful.
It happened that Otto Wesendonck was present at this conference; he was still waiting in Paris hoping to have the pleasure of attending the first performance, but he was now thoroughly convinced that the situation was hopeless, and promptly fled back to Zurich. Prager had already done likewise.
As I also heard how skilfully Wesendonck had treated the matter, some agreeable communications followed couched in conciliatory terms. It was much to Minna's credit that in her relations towards me she had by her letters proved herself wise and considerate, and while staying in Dresden, where she met her old friends, she lived quietly, and I always provided for her amicably.
Besides, even Bélart admits that Wesendonck and his wife continued to live together for the sake of the children, and that years after, when he had learned to understand, he renewed his acquaintance with Wagner.
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