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Updated: June 13, 2025


I sprang from my saddle, threw Violette's bridle over a rail-post, and ran into the house with the rest. It is true that I was too late to be of service, and that I was nearly wounded by a lance-thrust from one of these dying savages. Still, it is a pity to miss even the smallest affair, for one never knows what opportunity for advancement may present itself.

As a reward for passing his examinations in law, Madame Roger took her son with her on a trip to Italy, and they had just left France together. As to the poor Gerards, just one month after M. Violette's death, the old engraver died suddenly, of apoplexy, at his work; and on that day there were not fifty francs in the house.

They soon arrived at the farm, and Ourson, still dripping, rushed into Violette's presence. On seeing him Violette remembered everything and she sprang towards him. She threw her arms around him and wept upon his bosom. Ourson also wept and Agnella and Passerose were both in tears. It was a concert of emotion, enough to soften all hearts.

She now awoke, weeping bitterly, with all the symptoms of great alarm. She clasped Ourson tightly with her little arms: he tried in vain to reassure and control her but she still exclaimed: "Wicked toad! good Ourson! save Violette!" Agnella, who had awaked at her first cry, could not yet understand Violette's alarm but she succeeded at last in calming her and the child told her dream.

He raised it, opened it and found a pie, a loaf of bread and a bottle of wine. Ourson knew that this bounty was from the hand of the fairy Drolette and with a heart full of gratitude he put the bottle to Violette's lips. One mouthful of this good wine which was indeed unequalled restored a portion of Violette's strength.

As the poets' tables at the Cafe de Seville had been for some time transformed into beds of torture upon which Amedee Violette's poems were stretched out and racked every day from five to seven, the amiable Paul Sillery, with a jeering smile upon his lips, tried occasionally to cry pity for his friend's verses, given up to such ferocious executioners.

As the poets' tables at the Cafe de Seville had been for some time transformed into beds of torture upon which Amedee Violette's poems were stretched out and racked every day from five to seven, the amiable Paul Sillery, with a jeering smile upon his lips, tried occasionally to cry pity for his friend's verses, given up to such ferocious executioners.

In recompense for this daily captivity, M. Violette received, at the end of the month, a sum exactly sufficient to secure his household soup and beef, with a few vegetables. In order that his son might attain such a distinguished position, M. Violette's father, a watch-maker in Chartres, had sacrificed everything, and died penniless.

Saying these words, she seized Violette's foot with her cold and shining paws and tried to draw her down into the water. Violette uttered the most piercing shrieks; she struggled and caught hold of the plants and shrubs growing on the borders of the stream. The first, alas, gave way, and Violette in despair seized hold of others.

The rehearsal of his piece, which had just begun at the Comedie Francaise, the long sittings at the theatre, and the changes to be made from day to day, were a useful and powerful distraction for Amedee Violette's grief. L'Atelier, when played the first week in April, did not obtain more than a respectful greeting from the public; it was an indifferent success.

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