Vietnam or Thailand ? Vote for the TOP Country of the Week !


It would no doubt have been very difficult to keep the action within reasonable limits had a new act taken the place of the existing fourth; but Sir Arthur Pinero would probably have produced a completer work of art had he faced this difficulty, and contrived to compress into a single last act something like the matter of the existing fourth and fifth.

The cleverest of this group of plays strictly intended for sexual educationas Shaw'sMrs. Warren's Professionor plays of Pinero and similar ones would belong only indirectly in this circleis probably Wedekind'sSpring's Awakening.” It brought to Germany, and especially to Berlin, any education which the Friedrichstrasse had failed to bring.

One reason for the extraordinary success of the performances by the Stage Society and the Vedrenne-Barker management and of Pinero plays was the judicious choice of players whose physique and temperament coincided with their parts. Several times we had what seemed brilliant pieces of acting by performers who never did anything before or afterwards worthy of admiration.

What distinctive contributions to the modern drama have Pinero, Shaw, and Barrie made? Describe the work of Lady Gregory, Yeats, and Synge. In what does Synge's special power consist? Alex. 1603-1660: Prose Writers. Poets and Dramatists. 1660-1740: Dramatists of the Restoration. Prose Writers. Poets. 1740-1780: Prose Writers. Poets. 1780-1837: Philosophers. Historians. Essayists.

We are continually opening doors with hope, closing them with despair. Life lasts not much longer than a pipe of tobacco, and destiny knocks us out like the ashes. The closing of a door is irrevocable. It snaps the packthread of the heart. It is no avail to reopen, to go back. Pinero spoke nonsense when he made Paula Tanqueray say, "The future is only the past entered through another gate."

Yet success is possible, as may be seen in the works of a few, such as Pinero; even he shows a tendency, noteworthy in Letty and, to a less degree, in His House in Order, towards causing some characters to talk "bookily," which, after all, is better than making them speak journalistically.

Although the new piece may be discredited, the author's reputation will suffer no abiding injury from the deep damnation of its taking off; for the public will continue to remember the third act of The Gay Lord Quex, and will remain assured that Sir Arthur Pinero is worth while.

Shakespearean dramas are the only plays that the public will go to see for the author's sake alone, regardless of the actors. It will go to see a bad performance of a play by Shakespeare, because, after all, it is seeing Shakespeare: it will not go to see a bad performance of a play by Sir Arthur Pinero, merely because, after all, it is seeing Pinero.

"You should not begin your work," he says, "until you have your concluding scene, movement and speech clear in your mind. How can you tell what road you ought to take until you know where you are going?" It is perhaps a more apparent than real contradiction of this rule that, until Iris was three parts finished, Sir Arthur Pinero intended the play to end with the throttling of Iris by Maldonado.

When he thus rose to the top, by dint of his own exertions, he had strength enough to carry along with him a number of other important authors. As a consequence we may regard the Pinero incident closed and in ten years his theatre will be considered as old-fashioned and as inadept as that of Robertson or Bulwer-Lytton.